Showing results by author "Mary Wilkins" in All Categories

Step beyond the lamplight and into the gilded darkness of a vanished world. Ghost Stories from the Gilded Age is a classic ghost story anthology featuring eerie tales by female authors who defied convention—Charlotte Perkins Gilman, Edith Wharton, Kate Chopin, and more. Narrated by an all-star ensemble of Audie, SOVAS, and One Voice award winners and nominees, this haunting audiobook collection blends Gothic elegance with supernatural unease.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

In this series we explore the many facets of love through literary talents that span both time and country. There are times when love is not a revelation and a calling from one soul to another but a carefully navigated path, or maybe a badly chosen path that decimates happiness. Which way will our literary leviathans take us? Inevitably it will be more than one.

Als Harriet Gill nach einem langen Leben stirbt, erben ihre zwei Großnichten, Sophia und Amanda Gill, ihr altes Haus in der Nähe von Boston. Doch es ist ein zweischneidiges Erbe: denn die beiden Schwestern dürfen das Anwesen erst nach zehn Jahren verkaufen und müssen so lange selbst darin wohnen, was eine teure Angelegenheit zu werden droht. Nur gut, dass die findige Sophia eine Idee hat, mit dem Problem umzugehen. Sophia und Amanda verwandeln das Anwesen kurzerhand in eine Pension. Doch sie haben nicht mit dem Widerstand der Verstorbenen gerechnet.

When Edward Glynn dies suddenly in the family home, the surviving siblings gather in mourning—yet grief quickly gives way to dread. A strange shadow begins appearing on the study wall each night, a tall and unmistakably human silhouette that refuses to fade, no matter how the room is rearranged or the light is moved. Caroline, Rebecca, and Emma Glynn struggle to hold themselves together as the tension among them thickens, suspicions grow sharper, and their brother Henry’s behavior turns increasingly frantic. What is the shadow? Why does it look like Edward?

To be a woman is to be half the world’s population but, in many countries, unfortunately still now and for most of history, women were decidedly second class, normally no more than chattels and the bearers and nurturers of children. As society involved into a complex and overlapping system where education and equality begin to seek space things began to change. In this volume our authors describe and reveal how life actually felt for almost all women before the recent past.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

A wonderful collection of Christmas stories and poems celebrating all the warmth and joy of the holiday season. "Yes, Virginia, There is a Santa Claus" is a kindly editor's reply to a young reader regarding the existence of Santa; "Silent Night" is the classic song read with meaning and reverence; "The Christmas Masquerade" is a charming tale of a magical Christmas Eve.

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

Are you looking for non-religious kids' Christmas stories? If so, you will enjoy our collection: Kids' Christmas Book with Santa Claus and Non-Religious Stories: Xmas Holiday Story Books for Children. Note that these are public domain works that were originally written by the indicated authors. All of the stories have been modernized and re-written for the 21st century.

Mary Wilkins Freeman (1852-1930) was an American writer, best known for her stories reflecting the world of women fighting for dignity and independence from men. Her tales typically describe domestic settings and intimate relationships and are told with sensitivity and a poignancy which illuminates a bygone era in vivid detail. "The Revolt of Mother" tells the story of a strong and self-reliant farm wife who defies her obstinate husband by moving her household into his newly built barn.

Mary Eleanor Wilkins Freeman (October 31, 1852¿March 13, 1930) was a prominent 19th century American author. Up until recently she was known primarily as a "feminist" writer, for her classic stories like "A New England Nun" and "The Revolt of Mother". However, she also wrote many well-crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

In a literary career of almost 50 years, Mary E. Wilkins Freeman (1852 - 1930) wrote 15 collections of short stories, 16 novels, one play, and eight volumes of prose and poetry for children. Her most memorable writing occurs in the genre of short fiction. The short story The Cat is about an old man and a cat who share a dwelling and keep each other company through a long cold winter. The character of the cat is anthropomorphized in an interesting way, and elicits more empathy than the human.

Jane Field leaves Green River to make a claim on a relative's will which was sent to her in error. When she is mistaken for her sister, Jane assumes her identity in order to gain the whole estate.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of American women authors whose time has now come again.

A glittering collection of classic stories for children, which have delighted generations and continue to appeal.

This ghostly, sometimes ghastly, collection includes "The Buckled Bag" by Mary Roberts Rinehart, "The Tapestried Room" or "The Lady in the Saque" by Sir Walter Scott, "The New Catacomb" by Sir Arthur Conan Doyle, and "The Lost Ghost" by Mary Wilkins Freeman.

Dive into the richly woven tapestry of life in a few small New England villages at the dawn of the last century. Edgewater People presents a captivating collection of interconnected short stories that illuminate the hopes, dreams, and struggles of its townfolk. (Summary by BellonaTimes)

In this volume we examine Gothic short stories from the woman’s point of view. More usually in this genre the main examples are almost always given as male. Well, in this volume we prove that view needs severely testing. Here we explore works by classic women authors who, with the sheer breadth of their talents and narratives, can make mere men seem tame by comparison.

In the heart of a Northeastern US town during the late 19th century, Ellen Brewster, the spirited daughter of shoe-mill workers, faces the harsh realities of life when the mill shuts down. As her family struggles to survive, Ellen rises above the challenges, becoming a beacon of hope and the pride of her community. This captivating tale not only chronicles her journey but also weaves in the birth of the American labor movement and the complex relationships between the wealthy and the working class.