Showing results by author "Basil Chamberlain" in All Categories

Delve into the mystical worlds of Celtic enchantment, the heroic sagas of Bulfinch's lore, the enigmatic tales of Slavic spirits, the celestial dances of Japanese deities, the profound fables of Turkish origins, the creation epics of Sumerian and Mesopotamian civilizations, the rich tapestry of Native American heritage, and the captivating chronicles from the Filipino archipelago.

Japanese culture has fascinated the West ever since the country’s doors opened up in the 1800s. In many ways, Japan has remained elusive, and people have travelled from all around the world to see for themselves how unique this nation remains. Another way of exploring this enigmatic culture is through its literature. The English language succeeds surprisingly well in revealing the Japanese sense of life.

Discover fascinating ancient Japanese fairy tales as well as the folk tales of the Ainu/Aino. The first book in this collection, titled Japanese Fairy Tales, was written by Iwaya Sazanami and translated by Yei Theodora Ozaki, a 20th-century translator of Japanese short stories and fairy tales. The second book in this collection is a rare one that is not usually available in audio format: Aino Folk-Tales by Basil Chamberlain, one of the most prominent British Japanologists active in Japan during the latter half of the 19th century.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

Basil Hall Chamberlain (1850-1935) was a professor of Japanese at Tokyo Imperial University. This is his translation of the Kojiki (Records of Ancient Matters), which was compiled in AD 712 by Ō no Yasumaro at the request of Empress Genmei. One of the two primary sources of the Japanese national religion of Shinto, The Kojiki is a collection of myths, early legends, songs, genealogies, oral traditions, and semi-historical accounts.

Dive into the captivating world of Ainu folk-tales, where nothing is off-limits and the tales are as raw as they are enlightening. Originating from the enigmatic Ainu people of Japan, who have called Hokkaido home for centuries, these stories explore the full spectrum of human experience—from creation and love to conflict and survival. Their unapologetic honesty and ribald humor might have shocked the scholarly collector Basil Hall Chamberlain, but they offer a refreshing and provocative perspective for modern readers. With the resurgence of Ainu activism advocating for indigenous rights and...

Un curioso y atractivo repaso por la cultura tradicional y contemporánea japonesa en forma de diccionario, que nos presenta un recorrido pormenorizado por el Japón de la antigüedad y por la rabiosa actualidad de una de las culturas más influyentes del presente. En este viaje descubriremos desde el origen los kimonos hasta los pasos de la ceremonia del té o los pormenores de la arquitectura japonesa. Imprescindible para quienes siempre han sentido fascinación por Japón y para quienes deseen un buen punto de partida para empezar a entender su cultura.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

Ajnowie. Ostatnia pozostałość po kulturze przedjapońskiej, żywy ślad pradawnej historii Japonii. Przez wieki spychani przez Japończyków na północ, dyskryminowani i naturalizowani, do dzisiejszych czasów przetrwali jedynie na Hokkaido. Ci, którzy kultywują resztki ludowych tradycji, robią to głównie na użytek turystów, co uzależnia zachowanie tej niezwykle ciekawej kultury od bardzo niestałych gustów Zachodu.