Showing results by author "Ann Charles" in All Categories

All Violet Parker wants is a day off. Better yet, just a “normal” day. But things never go as planned, especially in Deadwood. Someone - or rather something - broke into the local taxidermy shop and took bites out of the critter displays before racing off into the dark. But this is no random crime, and Violet knows it. With a bounty on her head and troublemakers zeroing in on her, she soon goes from being the hunter to the hunted.

I’m a ghost. A specter, some would say. A spirit. A shade, the hallucination of a compromised mind. Whatever moniker you prefer, that’s me. Excepting that last one. Uncle MortonI ran freight and wagon trains for years from Missouri to Santa Fe. Courted death from arrows to snake bites, drowning to dysentery, each and every trip. Came through all that only to be dealt a bad hand in Deadwood. Got myself killed.

Violet Parker has big troubles these days—the ticking kind. To duck the Grim Reaper, she needs to get her hands on eighty-plus rare, mystical clocks locked up tight by a thick-headed detective. The solution? Hijack the truckload of ticking time bombs out from under Johnny Law’s nose. But no caper ever goes according to plan. What starts out as a game of clocks and robbers twists and turns into a chaos of cops and clobbers. Will Violet beat the detective in time? Or will she spend Valentine’s Day behind bars?

Deadwood, late 1876. A rowdy and reckless undertaker’s delight. What better place for a killer to blend in? Enter undertaker Clementine Johanssen, tall and deadly with a hot temper and short fuse, hired to clean up Deadwood’s dead...and the “other” problem. She’s hell-bent on poking, sticking, or stabbing anyone who steps out of line. But when a couple Santa Fe sidewinders ride into town searching for their missing uncle, they land neck deep in lethal gunplay, nasty cutthroats, and endless stinkin’ snow.

Someone is spreading rumors around Deadwood that Violet Parker likes to chat with dead folks. With her reputation endangered, her bank account on the verge of extinction, and her career at risk of going up in flames, Violet is desperate. When the opportunity to sell another vintage home materializes, she grabs it, even though this "haunted" house was recently the stage for a two-act murder-suicide tragedy.

Normally, not even drunk on a bet would Violet Parker go to Slagton, a creepy ghost town inhabited by those too stubborn - or deranged - to leave. But a certain bullheaded Deadwood detective has a problem - his informant from Slagton has gone missing. When Violet is shanghaied into taking a hunting trip to the ghost town to search for the missing snitch, she stumbles into trouble that will take more than a double-barreled shotgun to escape. Will Violet survive this new hell that haunts her, or will she end up on Slagton's growing list of those "gutted and hung"?

Time is a tricky devil. And so is that blasted imp! Violet Parker needs to catch the little terror before it wreaks even more havoc in the Black Hills. But now that she’s saddled with this dang Timekeeper gig, she has a lot to juggle, like the real monsters wanting to tear the flesh from her bones just for fun. If she can’t figure out how to wrangle “time” to save her family, the Grim Reaper might come swinging for them next.

What has been missing from the daring tales of fairy tale heroes is quite simply some heft. In Burly Tales, Lambda Literary Award-winning editor Steve Berman has gathered a dozen stories of whimsy and romance that feature gay men with plenty of curves and fur. Run away with us to enchanted woods, where the cubs and bears are not going to eat you (not without informed, enthusiastic consent), where no one will judge if you take up residence in a house with seven bearded men and only one bed.

Recipe for drunken laughter: take two best friends since childhood; add four shots of tequila each; sprinkle in a handful of secrets; shake.

Jack “Rabbit” Fields knew a good thing when he saw it, whether it was a sound horse, a sure bet, or a pretty sage hen. When it came to locking horns with any curly wolves he ran into along the trail, he tended to shoot first - a notion that had saved his hide more times than he could count. But that was before he came to Deadwood. Now, someone is stealing freshly dead bodies right out of their graves, and Rabbit and his amigos are on the hunt to figure out who. And more important, why?

It’s a cold and snowy Christmas Eve in the rowdy mining town of Deadwood in the Dakota Territory. Rather than enjoy some drinks in front of a warm fire with her friends, contracted Slayer Clementine Johanssen has her horse saddled and weapons packed to head out into the hills and hunt down some deadly scallywags—alone. When her friends catch wind of her intentions, they set out to waylay her long enough to change her way of thinking...in spite of her mule-headedness.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Hank Varney’s the name. Miss Clem and me, along with the two Sidewinders from Santa Fe—we’ll get the sharp-toothed vermin cleared out. Now, some people say I’m lucky, but I don’t know if it’ll do me any good, what with the army of trouble me and the crew are facin’. If we don’t live through it, well, there goes Deadwood. Maybe even the whole of the Black Hills.

Danger the likes Boone McCreery has never seen is brewing in the Black Hills. Fresh in from Santa Fe, he’s returned to Deadwood to seek justice for his uncle - and maybe to see about a girl. Little did he know his search for justice would have him stumbling into a hornets’ nest beyond his worst nightmare. One thing is for certain: The trouble he and his compadres chance upon deep in the trees is a long way from ordinary.

A scrappy, hot-blooded woman can only take so much! Violet Parker is on fire...or rather under fire yet again. New evidence has fanned the embers of a cold murder case, and her alibi is smoldering at the corners. While battling a dogged detective determined to pin the murder on her, Violet scrambles to find the real killer. Will she escape "the heat" with singed tail feathers? Or will Violet go down in flames?

Meanwhile, back in Deadwood...the mystery and mayhem continue. Between the butchered body parts, creepy killers, dogged detectives, ghoulish ghosts, and ever-present television cameras, Violet Parker's purple boots are itching to skedaddle. But there is no escaping another murder investigation or her new deadly reputation - even if both risk the lives of those she loves most.

One dead body, one century-old haunted opera house, one zombie musical - one pissed-off detective - will Violet "Spooky" Parker keep her tail out of trouble, or will she end up as one of Deadwood's walking dead?

Violet Parker knows better than to play with devils. They always cheat, especially when lives are at stake. Deadwood’s charming, troublemaking, and soul-sucking devils are no different, and they’re biting at her heels. But the clock is ticking and Violet has no choice - she must risk her life to save her treasured Aunt Zoe. With any luck, she might be able to trick the devils and beat the old terrors at their own game. If not, Deadwood could end up short one Executioner.

It’s Christmas Eve, and Violet Parker has one request on her list for Santa - to make it home to her kids. Unfortunately, “home” is also the lair of her life-long nemesis, her sister Susan, aka the devil’s concubine. Standing in Violet’s way is Old Man Winter, who slammed the Black Hills with a show-stopping blizzard. However, a little snow isn’t going to ground her sleigh, not with family counting on her to deliver Santa’s goods.

Something has gone foul in the Black Hills, something gravely unnatural. Leave it to Violet Parker to stumble into the middle of it. A creepy phone call, a dead body, two meddling detectives, and a glut of troublemaking ex-partners - can things get any worse? Violet swears to keep her nose out of police business this time. But when her son is linked to the victim, she returns to the scene of the crime. More than just a mystery to solve, now her son might be in mortal danger.