Showing results by narrator "David Shaw-Parker" in All Categories

In this engaging narrated story with sound effects and music, everyone knows that a bouncing Tigger is a happy Tigger. But when Tigger's constant bouncing gets him into trouble with his friends, Tigger has to learn about the importance of respect in order to mend everything. Also included in Growing Up With Pooh: Audio Story Collection.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of Continental Europe and its male authors whose time has now come again.

These six stories are, for the most part taken from the writer's experience as a professional actor (A Different Money, You Cannot Be My Hands and The Reputation Preceding Jack Vitalis) but there are others which include an oneiric distraction featuring the brittle but precise discipline of the fictional Japanese terpsichorean art form Littledance, a curious tale of revenge upon the cruel attack of a titled aristocrat upon an otherwise genial and hard-working interior decorator (The Tradesman's Entrance).

Piglet is a very small animal who is frightened by a great many things, such as bad dreams, spooky shadows, and thunderstorms. Can advice from some of his braver friends help little Piglet overcome his BIG fears?

Little Roo is tired of being the smallest one in the Hundred-Acre Wood. He needs help to do just about anything... especially if it's anything that's up high. In this sweet story, Roo proves that even though he's small in size, he's big in determination... and heart.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866. His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies’ Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).

Ernest Bramah was born on 20th March 1868. He was an intensely private man and very little about his life was ever released. He obtained success in his own right with the creation of the storyteller Kai Lung with humourous tales set in China, usually laced with fantasy elements. There seems to have been a certain vogue for stories with an oriental element at this time, which Bramah was happy to take advantage of. In 1914 Bramah created the blind detective Max Carrados. Despite the obvious obstacle to his deductive powers, he was a literary and commercial success.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide.

Gibran Khalil Gibran was born on 6th January 1883, in the village of Bsharri, Beirut Vilayet, then part of the Ottoman Empire. His first book in English, ‘The Madman’, became an international phenomenon. Gibran was regarded as a literary rebel and a leading figure of the Arabic literary Renaissance and made influential contributions to Western poetry, stories and thought. Madame Rose Hanie is an exquisite short story that unravels the real calling of love and its experience in a society where women were too often treated as second-class. Rose Hanie thinks very differently.

Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge, on 28th September 1864. He was one of 4 children. It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant. It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works. A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. Many of his elegant yet terrifying tales were created by discarding the prevailing gothic clichés and placing his characters and narrative in a realistic setting. Thereby the stories gained atmosphere and menace on a grand scale and he was famed as the originator of the antiquarian ghost story. Although story-telling and writing these 30 or so tales was a hobby, when published their effect transformed the genre and still chill the bones in our more modern times.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854, in Dublin, Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford. His only novel, ‘The Picture of Dorian Gray’, was published in 1890 and he then moved on to writing for the stage with ‘Salome’ in 1891. His society comedies were enormous hits and turned him into one of the most successful writers of late Victorian London. This collection of light-hearted and witty stories was written by Oscar Wilde in 1891.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. His first collection of short stories appeared in 1901 and sold over a quarter of a million copies. He was a sensation. His classic story ‘Silence’ is a haunting and a desperately sad account of a family broken by death and unable to reconcile their feelings.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. His classic story ‘Whistle and I’ll Come to You My Lad’ exquisitely reveals how a young professor on holiday chances on a buried whistle and folklore becomes terrifying fact.

Occasionally an author appears who, in a short career, emblazons a legacy so bright and so distinct, as well as popular, that it is difficult to believe it is the output of only one man. Robert Louis Balfour Stevenson was such a talent. Over the course of his prolific career, Stevenson had not only given his audience many classic novels but beautiful poetry such as ‘A Child’s Garden of Verses’ and many short stories as with his dark classic of Christmas Day ‘Markheim’ (1884).