Showing results by narrator "Eve Karpf" in All Categories

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The plains of the American Mid-West are home to some very fine exponents of the literary craft. Throughout this vast landscape stories seem to be everywhere offering their experiences as works just awaiting the final touches and flourishes of these famed authors. They deliver in very talented ways.

Able to write comfortably in a number of genres, HG Wells was especially applauded for his science fiction works such as The Time Machine and War of the Worlds, but his forays into the social conditions of the times, with classics such as Kipps, were almost as commercially successful. His short stories are miniature masterpieces, many of which bring new and incredible ideas of science fiction to the edge of present-day science fact. Wells also received four nominations for the Nobel Prize in Literature.

Creakie Hall is falling down but there is no money in the bank so Aunt Gardenia Bogey-Mandeville needs to come up with a money making scheme pretty quickly or she and her niece and nephew will be out on the streets. It seems unlikely that opening the Hall as a hotel will be very successful, especially when the first guests through the door are two stuffy, fussy hotel inspectors, but with the 'help' of a pair of ancient ghosts who float down from the attic, all is not lost.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best.

Star Spooks: Hollywood has come to Creakie Hall! But is Chubby Cellophane really a world-famous director or is he a fake? Once again, the family ghosts, Miasma and Marmaduke, come to the rescue with some out-of-this-world special effects. Funky Phantoms:
Ghost hunters have arrived at Creakie Hall! Miasma and Marmaduke are sure they're imposters who are up to no good....

Anne Kingsmill was born in April 1661 (an exact date is not known) in Sydmonton, Hampshire. Throughout her life, Anne was involved in several Court cases that dragged on for years. These involved both a share of her parent’s estate for her education and later her and her husband’s share of an inheritance. In 1682, Anne became a maid of honour to Mary of Modena (wife of James, Duke of York, and later King James II) at St James’ Palace. Anne's interest in poetry began at the palace, and she started writing her own verse.

In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. This volume is dedicated to one such recognised master of the short story, namely Katherine Mansfield, whose innovative stream of consciousness and symbolic narrative style profoundly influenced Virginia Woolf. She was born on 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. A gifted cellist who at one point considered taking it up professionally, her first attempts at writing were published in school magazines.

George Robert Gissing was born on November 22, 1857, in Wakefield, Yorkshire. He was educated at Back Lane School in Wakefield. Gissing loved school. He was enthusiastic with a thirst for learning and always diligent. By the age of 10 he was reading Dickens, a lifelong hero. In 1872, Gissing won a scholarship to Owens College. Whilst there, Gissing worked hard but remained solitary. Unfortunately, he had run short of funds and stole from his fellow students. He was arrested, prosecuted, found guilty, expelled and sentenced to a month's hard labour in 1876.

For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses often protest otherwise. The contribution of women in these earlier centuries is immense, and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written. And remember these words, these telling lines, have been written against the grain of society's male bias. With their remembered words these female poets have given us a history that we can all now share.

Anne Bradstreet was born in 1612 in Northampton, England. Her parents' position allowed them to educate Anne across many subjects, which was unusual for its day. She married and had eight children. She and her family emigrated to America, where they moved often from place to place. She wrote some beautiful poetry in 1650; the publication of her collection of verse The Tenth Muse Lately Sprung Up in America made her the first female poet ever published in England and the New World.

Herbert George Wells was born on September 21st, 1866 in Bromley in Kent. He was the youngest of four siblings and his family affectionately knew him as ‘Bertie’. The first few years of his childhood were spent fairly quietly, and Wells didn’t display much literary interest until, in 1874, he accidentally broke his leg and was left to recover in bed, largely entertained by the library of books his father regularly brought him. Through these Wells found he could escape the boredom and misery of his bed and convalescence by exploring the new worlds he encountered in these books.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.

The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors. From these Isles their fame spread and whilst among their number many are now forgotten or neglected, their talents endure. Among them is one of the first published female poets, Anne Bradstreet. Born in England, she moved to America in her early years, and from there her poetic legacy spread to other continents.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

In this volume of fifty poems our classic poets delve with storied verse into every facet of this institution. From the good, the bad and even the ugly, from the Wedding day to the realisation that divorce and separation maybe the better path. Between these two frontiers other avenues and facets are explored by the pens of many including Shakespeare, Khalil Gibran, Emily Dickinson and the Rossetti’s.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

"In a German Pension" is a collection of short stories by Katherine Mansfield, a New Zealand writer and critic who was an important figure in the modernist movement and widely considered one of the greatest short story writers of all time. Focusing on the lives and interactions of a diverse group of guests staying at a German spa-town pension, where the narrative explores themes of social norms, cultural differences, and the complexities of human relationships.