Showing results by narrator "Simon Brett" in All Categories

When Alexandra Richards approaches professional declutterer Ellen Curtis to ask her to help sort out her mother's chaotic flat, Ellen gets the impression Alexandra doesn't like her mother very much. But when Ingrid Richards' body is discovered in her burned-out home, Alexandra's exasperated words don't seem such a joke. Due to the hazardous state of the victim's over-cluttered residence, the police are inclined to dismiss her death as an unfortunate accident. Ellen's not so sure.

After a long period of "resting", life is looking up for Charles Paris, who has been cast as the Ghost of Hamlet's Father and First Gravedigger in a new production of Hamlet. Ophelia is played by Katrina Selsey, who won the role through a television talent show. Hamlet himself is also played by a reality TV contestant, Jared Root - and the two young stars have rather different views than the more experienced members of the cast. But when the company reach the first staging post of their tour, matters get more serious, with one member of the company seriously injured in what appears to be an accident, and another dead....

Professional declutterer Ellen Curtis doesn't need to like her clients to help them sort their homes out. Aging TV personality and curmudgeon Humphrey Carter might have a chip on his shoulder the size of England, but a job's a job. But when Ellen arrives the morning after Humph's eightieth birthday party, primed and ready to tackle his study - she gets the shock of her life. Humph's dead. . . and all signs point to him having taken his own life.

Charles Paris is in clover. He has been contracted for three whole months to play brainless bobby Sergeant Clump, foil to the charismatic amateur sleuth, Stanislas Braid, in a TV series of that name. Recourse to the whiskey bottle is still needed, however, to get him through a day’s filming - one made all the more arduous by the pompous posturings of the show’s star, and the constant outraged interruptions of the ancient author whose detective novels are being adapted. Indeed, there is plenty of friction about.

Charles Paris returns again, in a fringe show at the Edinburgh Festival, with another nubile girl to provoke him, his accommodating wife to console him and a gory murder to challenge him. Edinburgh and the Festival are both background and foreground with Charles flitting between a production of A Midsummer Night’s Dream, a ‘mixed-media’ satire, a late-night revue and his own one-man show on Thomas Hood. Then a fading pop star is murdered, there’s a bomb scare in Holyrood Palace and someone makes a suicide leap from the top of the Rock….

Carole Seddon's trusty Renault is one of her most treasured possessions. So when it is vandalised, there's only one person she will entrust with its repair: Bill Shefford has been servicing the vehicles of the good citizens of Fethering for many years. But how could something like this happen in Fethering of all places? Then the note is shoved under Carole's kitchen door: Watch out. The car window was just the start. She has been deliberately targeted. But by whom and why?

Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

Invited to a Private View of the work of controversial artist Denzil Willoughby, the good citizens of Fethering are not quite sure what to expect. And it certainly turns out to be a lively affair, culminating in a confrontation between Willoughby and his ex-lover, followed by a heated argument with the gallery owner and a rival artist. But what no one could have anticipated was that the evening would end in sudden, violent death.

Carole Seddon's son is soon to be married to Gaby. But Marie and Harold Martin seem desperate to keep plans for their daughter's big day as low-key as possible. After a quiet engagement party, Harold disappears...only to be found dead the next day in a burnt out car in Epping Forest. Carole discovers that the Martins are hiding secrets that can be traced back 30 years, to the murder of Marie's best friend. Now the girl's killer has been released from prison and is back in his old stomping ground.

Carole Seddon has never enjoyed holidays much. Nevertheless, she has allowed herself to be persuaded by her friend Jude to accept a fortnight’s free accommodation at a luxurious Turkish villa owned by Jude’s property developer friend Barney Willingdon. But from the outset the holiday is marred by a series of menacing incidents.

Highlights from the light-hearted literary quiz chaired by James Walton The Write Stuff is the book-based panel show that takes a witty and whimsical look at well-known authors and their work. Host James Walton challenges the erudite contestants with tricky literary teasers, which they endeavour...

Declutterer Ellen Curtis has been working to bring order into the life of Cedric Waites, a recluse in his eighties who hasn't left his house or let anyone inside it since his wife died. On one of her regular visits, Ellen finds the old man dead. Sad but, given his age, perhaps not unexpected. Until the police raise the suspicion that Cedric might have been poisoned! The cause seems be something he ate, and as Ellen cleared away the old man's food containers, she is under suspicion. As is Dodge, who works for Ellen and has unhelpfully done a runner.

A gambler on the run. A widow with deep pockets. A pair of criminal brothers with a secret agenda. The new instalment of the quirky, inventive and charming mystery series featuring widow Mrs Pargeter – whose late husband was absolutely NOT one of the most notorious villains in Essex (the very idea). Mrs Pargeter’s friends know two important details about her marriage to her late husband. First, that it was blissfully happy. And second, that Mr Pargeter was not a man to bring his work home with him.

Landing a minor part in the Empire Theatre Eastbourne’s Christmas production of Cinderella, Charles Paris soon discovers that his main role is to gently introduce the show’s baffled American star, Kenny Polizzi, to the bizarre customs of English pantomime. During their sessions in the local pub, Charles finds himself increasingly caught up in Polizzi’s tangled affairs. But Charles is about to be far more involved than he might wish when he stumbles across a body beneath Eastbourne Pier.

A rising young stage comedian, who is about to receive his profession's award as ‘Most Promising Newcomer’, dies sensationally on stage at the start of his act; as he picks up the mike, he is electrocuted. Faulty wiring seems to be the cause; no one person is to blame; a verdict of death by misadventure is returned at the inquest.

Fethering residents Jude and Carole get more than they bargained for when a meal in their local pub leaves everyone with food poisoning. When a series of disasters start to befall the business it looks like it could be the end of the road for the Crown and Anchor. The two amateur detectives wonder if it might just be more than a run of bad luck. When a young man is found in the kitchen with a knife through his heart, Carole and Jude swing into action. There's a killer on the loose, and our lady sleuths need to uncover who it is before it's last orders for the pub - and themselves.

Jude has never been averse to a bit of a flutter; her friend Carole, on the other hand, thinks that the local betting shop is a den of iniquity. But when Jude stumbles upon the body of a Polish immigrant, Tadeusz Jankowski, the race is on to find his killer. The odds aren’t looking good. No one seems to know anything about the mysterious Tadeusz - even his sister can’t shed any light on what he was doing in Fethering.

Originally broadcast on Radio 4 in 2003-4, We’ve Been Here Before is the topical, satirical, historical panel game that aims to show beyond all doubt that there’s nothing new in the news. Hosted by award-winning comedian, broadcaster and Whose Line Is It Anyway? star Clive Anderson, it takes a wry, witty look at long-gone days through a present-day lens, as the panellists battle it out to discover who’s got the best memory for detail when it comes to raking up the past.

Having landed a small part in a new West End play, The Habit of Faith, Charles Paris is dismayed to discover that his good fortune has been orchestrated by his bête noire, the now-famous screen actor Justin Grover. But why has Grover become involved in this relatively obscure production - and why has he roped in Charles to star? From the outset the production is fraught with difficulties - and matters become even more complicated when a body is discovered at the foot of the dressing room stairs.

When Carole goes for a trim at Connie’s Clip Joint, she doesn’t expect to find herself at the scene of a murder. But in the back room, strangled by the lead of a hairdryer, sits Connie’s young assistant Kyra. Carole and her sleuthing friend Jude are soon enjoying some tactical snooping, and it seems that Fethering’s fingers are pointing at Kyra’s boyfriend Nathan, who has disappeared. As our discreet lady detectives decide there are only so many haircuts they can have for the sake of neighbourhood crime-solving, they also realise that this is no cut-and-dried case....