Showing results by author "Virginia Woolf" in All Categories

Dalla postfazione di Mario Fortunato: "Orlando è la biografia che diventa romanzo di un eroe che diventa un'eroina e che vive parecchi secoli. Non ci vuole molto a capire che il suo tema non è l'immortalità né il sesso né la letteratura né Vita Sackville-West a cui il libro è dedicato. Il tema è piuttosto lo slittamento o, meglio ancora, la metamorfosi: di un corpo nell'altro, di un sesso nell'altro, di un genere nell'altro.

"Quando il ragazzo, poiché, ahimè, era certo un ragazzo - nessuna donna sui pattini sarebbe mai stata così veloce e potente - gli sfrecciò accanto quasi sulle punte, a momenti Orlando si strappò i capelli per la rabbia che quella persona fosse del suo stesso sesso e quindi ogni abbraccio fosse fuori discussione". Orlando è la biografia scherzosa di un giovane nobile dai lineamenti androgini, che si reincarna rocambolescamente in varie forme attraverso quattro secoli della storia inglese, dall'epoca Elisabettiana fino al '900.

Mr. og Mrs. Ramsay og deres åtte barn tilbringer sommerferiene i sommerhuset deres på øyen Skye, sammen med nære venner av familien. Første del beskriver det dagligdagse samværet med kjærlighet og konflikter, forholdet mellom kjønnene, ekteskap og barndom, gleder, lengsler og savn. Men tiden går og fører med seg krig, død og forfall. Mange år senere vender den gjenværende delen av familien og enkelte av vennene tilbake til sommerhuset.

Med sine tanker om kvinnen som selvstendig individ med økonomisk og arbeidsmessig uavhengighet, fikk boken en banebrytende betydning for kvinnefrigjørelsen, og er fortsatt et sentralt verk i feminismen og den feministiske litteraturkritikken. Tankene hennes blir gjennom undersøkelser av natur og institusjoner, besøk og middager, lagt fram med humor, sinne, ironi og skarpsindighet, og den historiske gjennomgangen av kvinnelige forfattere blir blandet med fiktive forestillinger.

“Mrs Dalloway sa at hun ville kjøpe blomstene selv.” Med denne senere så berømte setningen innledes romanen, som utspiller seg en sommerdag i London i juni 1923 hvor Clarissa Dalloway forbereder et middagsselskap. I løpet av dagen skjer det flere ting som fører til en rekke overveielser og assosiasjoner knyttet til tidligere begivenheter. Mannen hennes har, til hennes utilfredshet, blitt invitert til lunsj uten henne hos Lady Bruton, hvis animerte lunsjer er berømte i de høyere sosiale lag.

Uno dei primi romanzi della scrittrice, in cui viene utilizzato definitivamente lo stile del "flusso di coscienza", monologhi interiori dei vari personaggi che si incontrano, casualmente o meno, percorrono le stesse strade, i parchi, i salotti, della Londra del 1925. Particolari apparentemente insignificanti come la forma delle nuvole assumono una importanza pari o superiore a quella delle vicende personali di donne e uomini; la vita scorre senza soluzione di continuità da una coscienza all'altra.

Das Läuten der Glocken von Big Ben, Omnibusse am Piccadilly, Miss Pyms Hände, die so rot und kalt sind, als hätten sie mit den Blumen im Wasser gestanden, und dann ein Aeroplan, das "Toffee" in den Himmel schreibt. Mrs Dalloway macht Besorgungen für eine Abendgesellschaft in ihrem Haus in Westminster, sie lässt sich durch das London des beginnenden 20. Jahrhunderts treiben und mit ihr treiben ihre Gedanken, reichen sich Vergangenheit und Gegenwart in einem unvergleichlichen Auf und Ab die Hand.

Als Orlando nach einer ausschweifenden Feierlichkeit am Hofe des türkischen Sultans aus einem langen und erholsamen Schlaf erwacht, lässt es sich nicht leugnen: Die Tage seiner Männlichkeit sind gezählt, in der Nacht ist er zur Frau geworden. Orlando nimmt es, wie es kommt, und reist fortan ewig jugendlich durch die Weltgeschichte. Dabei trifft er auf die großen Dichter und Denker verschiedener Epochen. Was Virginia Woolf mit "Orlando" vorlegte, ist ein spielerischer Ritt durch die literarischen Genres, ein satirisches, sprachgewaltiges, feministisch angehauchtes Vergnügen.

The short stories written during and about World War I are often overshadowed by the excellent verse of the War Poets. Yet the short story is perhaps their equal in other ways. Within these succinct little time capsules of words are captured ideas, attitudes, feelings and life that are expressed in a few minutes just as movingly, imaginatively and tellingly as in any other form. Some of these stories will be familiar, but some may not. From Virginia Woolf to Katharine Mansfield and John Buchan to C. E. Montague, various writing styles try to make sense of this world at war.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

Jacob’s Room was written in 1922 and is Virginia Woolf’s third novel; the first in which she made a radical shift from the established style of prose narrative writing and began experimenting with the modernist "stream of consciousness style" now so firmly associated with her work and that so shook the literary establishment. Jacob’s Room is overwhelmingly centered around feelings of absence and emptiness and is a collection of memories and sensations that chart the life of Jacob Flanders, largely observed through the eyes of others.

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht "das am häufigsten abgehandelte Tier des Universums" seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte.

Have you ever invented a life for someone you barely know? On a quiet train, an unnamed narrator fixates on a melancholy woman she calls “Minnie Marsh” and constructs an entire life for her—filled with family dramas, hidden desires, and unspoken conflicts. But how much of what we imagine reflects reality, and how much reveals our own inner world?

Join Rachel Vinrace as she sets sail for South America aboard her fathers ship, embarking on a transformative journey of self-discovery akin to a modern mythical adventure. The eclectic mix of passengers serves as a canvas for Virginia Woolf to satirize the quirks of Edwardian society. This novel not only introduces the iconic Clarissa Dalloway, featured in Woolfs later work, Mrs Dalloway, but also includes characters inspired by real-life figures close to Woolf. St John Hirst channels the essence of Lytton Strachey, while Helen Ambrose reflects elements of Woolfs sister, Vanessa Bell. Rachels...

Delve into the enchanting world of Adeline Virginia Woolf, an iconic English author and modernist figure of the twentieth century. Renowned for her contributions to literary society and her pivotal role in the Bloomsbury Group, Woolfs works like Mrs. Dalloway, To the Lighthouse, and Orlando have left an indelible mark on literature. In her collection Monday or Tuesday, she explores her early forays into stream of consciousness writing, presenting a series of short stories that delve into the intricate thoughts and emotions of her characters. Woolfs reflections on the female experience, human ...

Virginia Woolfs masterpiece, To the Lighthouse, delves into the intricate lives and inner thoughts of the Ramsay family and their guests at a summer retreat on the picturesque Isle of Skye. The novel is structured in three distinct parts, which Woolf metaphorically describes as two blocks joined by a corridor. The first and final sections unfold across two pivotal days, separated by a decade and a world war, while the central corridor vividly captures the houses transformation amidst the backdrop of personal milestones—marriages, losses, and the passage of time. Renowned for its innovative ...

Join us for a captivating journey through Virginia Woolfs modern classic, To the Lighthouse. Divided into three parts, this profound narrative delves into the lives of the Ramsay family at their idyllic Scottish summer home, navigating the complexities of life before and after The Great War. Blending elements of feminist and psychological literature with a unique stream-of-consciousness style, Woolfs novel often reads like a beautiful prose poem. At its core, it thoughtfully explores the intricate roles of women and artists at the dawn of the 20th century. (Summary by WendyKatzHiller)

Step into the vibrant world of Clarissa Dalloway as she prepares for a grand party, weaving through the intricate tapestry of London life. Join her and the characters that surround her as they navigate memories, introspection, and the emotional landscapes of their existence. This poignant novel delves into themes of relationships, mental health, nostalgia, and the profound decisions that shape our lives. (Summary by Hannah Dormor)

In Jacobs Room, the narrative weaves a complex tapestry around the enigmatic life of Jacob Flanders, primarily through the fragmented perceptions of those around him. This unique storytelling approach creates an intricate character study, where the absence of a traditional plot emphasizes themes of emptiness and longing. As the impressions of others fill the void left by Jacob, the novel takes on an elegiac tone, inviting readers to ponder the nature of identity and the impact of absence. (Introduction by Wikipedia)