Showing results by narrator "Gideon Wagner" in All Categories

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity's time people couldn't read and texts couldn't be published in any great number.

John Clare was born on 13th July, 1793 in Helpston, a few miles north of Peterborough. Schooled only until the age of 12, his early career was that of agricultural labourer, pot boy, gardener and lime burner. His early life of hardship and frequent malnutrition led to his diminutive stature of five feet and contributed to his later health problems. In 1820 his first poems were published and began to earn him a reputation as the 'Northamptonshire Peasant Poet'. His poetry sold well, but only occasionally did that and other incomes keep his head above water.

Rudyard Kipling. With our almost religious zeal to categorise and pigeon hole everything it should come as little surprise that one of the poems we learnt at school should so regularly be voted the best ever poem. Whether ‘If..’ deserves that credit or not is irrelevant to this empire wandering artist who was not only a fine story teller but a great poet of the Empires, its people and views.

Macbeth, a general of the army of Duncan, King of Scotland, rises through the ranks after victory over the rebel MacDonald. Inspired by three witches' prediction that he would become king, he and his wife murder Duncan, and he becomes King of Scotland himself. The heir, Malcolm, flees to England, where he is joined by Macduff, the loyal Thane of Fife.

Many giants of literature originate from the shores of the emerald isles: Shakespeare, Dickens, Chaucer, the Brontes, and Austen, to which most people would willingly add the name Thomas Hardy. Far from the Madding Crowd, Tess of the D’Urbervilles, and The Mayor of Casterbridge are but three of his literary masterpieces. But let us go further and add to his canon his poems....

Sometimes we just want the best. But that involves choices, judgements, decisions. And that all depends on our feelings, our mood at the time. Even more so with poetry. Would we like a little more pathos, or love, or humour with that? Can we only choose one Keats? And ’If’? Surely Kipling wrote something else? So difficult to decide. This one or that? Is it easier to choose your 50 favourite poets or your 50 favourite poems?

Do men need poems? Is the gender of brawn and ‘can-do’ really a candidate for honeyed verse? Obviously yes. Through the centuries men seem to dominate the writing of poetry. From books of epics to quatrains of love poetry it seemed to be a man’s world. His domain. A volume purely for men, to show other facets of their personalities and characters seems to be an obvious choice. One verse fits all is, in fact, far removed from the truth. Men needs words. They need support, understanding as well as goals, ambition and structure. They need purpose, desire; the need to love and be loved.

Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year Poems and Ballads brought him instant notoriety. He was now identified with 'indecent' themes and the precept of art for art's sake.

In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection, but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic, and by May 1868 Hopkins firmly 'resolved to be religious'. Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years.

George Gordon Byron, 6th Baron Byron, but more commonly known as just Byron, was a leading English poet in the Romantic mMovement along with Keats and Shelley. Byron was born on January 22nd, 1788. He was a great traveller across Europe, spending many years in Italy and much time in Greece. With his aristocratic indulgences and flamboyant style, along with his debts and a string of lovers, he was the constant talk of society.

William Cowper was born 26th November 1731 in Berkhamsted, Hertfordshire. Traumatically he and his brother, John, were the only siblings, out of seven, to survive infancy. His mother died when he was six. In 1763 he was offered a Clerkship of Journals in the House of Lords. With the examinations approaching, Cowper had a mental breakdown. He tried to commit suicide three times, and a period of depression and insanity seemed to settle on him. The end of this unhappy period saw him finding refuge in evangelical Christianity, becoming the inspiration behind his much-loved hymns.

Andrew Marvell was born in Winestead-in-Holderness, in the East Riding of Yorkshire on March 31st, 1621. He was educated at Hull Grammar School, and at the age of 13 he attended Trinity College, Cambridge, and eventually received his BA degree. It is thought that in 1642 Marvell travelled in Europe and, while England was embroiled in its civil war, remained there until 1647, mastering several languages including French, Italian and Spanish.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the West Midlands who created such revered, enduring and respected verse.

Benjamin 'Ben' Jonson was born in June 1572. A contemporary of William Shakespeare, he is best known for his satirical plays Volpone, The Alchemist, and Bartholomew Fair and his equally accomplished lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.

Keats. A short life but a legacy of works that few, if any, can rival. And of course his end was to be tragically Romantic. Keats was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said, ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. And so it was that tuberculosis took its slow, devastating hold.

William Morris was born in Walthamstow, London, on 24 March 1834 and is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856. Morris' fascination with the ancient Germanic and Norse peoples dominated his writing, and he was the first to translate many of the Icelandic sagas into English. He also published limited-edition illuminated style books, with his design for The Works of Geoffrey Chaucer standing out.

When the wind blows and the rain lashes, our emotions can become dulled and our thoughts depressed but sometimes these swirling conditions can excite and invigorate. Whether we shut the door physically or delight in watching nature's displays, we cannot ignore the weather. It’s the natural topic of conversation for the British. Summer breezes and spring showers can elevate our senses, bringing a thump to the heart, a grin to the face and an abandon to immerse yourself in nature's ever changing wonders.

Today perhaps we all agree that youth is spoilt, ill-disciplined and in search of constant and instant gratification. No matter how much we love them, our children, as they mature from child to youth, are pampered. A century ago, and even further back, even the most privileged of youth was rarely indulged. In this volume we look at those years of youth through the eyes and pens of classic poets. They reveal times of hardship, of fear, of love and loss.