This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Chrystel Oloukoï, who teaches in the Department of Geography at University of Washington and who will be a CIFAR Global Studies Scholar from 2026-2028. Their research focuses on cinema studies, urban politics and history, and the place of gender and sexuality in Black life across the diaspora. In this conversation, we discuss how Black Studies questions challenge languages of nation and state, the complicated stories of diaspora and Black identity, and the expansive politics of Black Studies sensibilities and critical frames.

This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Zana Sanders, a doctoral candidate in the Department of African American and African Diaspora Studies at University of California, Berkeley. Her research examines the intersections of visual culture, contemporary Black Art, media, and technology with an emphasis on representations of race, gender, class, and sexuality. She is particularly interested in how Black artists and cultural producers use visual technologies in their image-making practices to shape political consciousness and cultural memory, document, and reimagine Black social life. In this conversation, we explore the link between histories of struggle and Black Studies practice, the encoding of blackness in popular and visual culture, and the past and future of community work as constitutive of the field.

This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with writer and critic Dionne Ford. In addition to a number of pieces in popular and writerly venues, she is co-editor with Jill Strauss of Slavery’s Descendants: Shared Legacies of Race and Reconciliation (2019) and the author of Go Back and Get It: A Memoir of Race, Inheritance, and Intergenerational Healing (2023). In this conversation, we discuss the role of study in creative writing, the place of memoir and storytelling in the study of Black life, and the intimacy and social significance of Black writing.