Showing results by narrator "Elizabeth Evans" in All Categories

From the introduction by Les Standiford: "The truth is that Miami, though naturally lovely, is a frontier town, perched on the border between the known and the rarely before experienced. The poet Richard Hugo once said that the natural place for the writer was on the edge, and 'edge' might well be the definitive word when it comes to this city... We are not only on the edge of the continent, we are to this country what New York was in Ellis Island's heyday, what the West Coast was in the middle of the 20th century.

Losing weight is partly about trusting our innate abilities, as we do when we ride a bicycle. Surely we cannot remember the fear we felt the first time we tried to ride a bike, but through putting in the effort, we managed to learn and automate the process. Well, the same goes for hypnosis and meditation—learning to suppress certain impulses will help us lose weight.

Five years after the war, Amie Stilwell, a photo interpreter for an Allied unit in England, returns to her hometown in Maine. Jobless and discouraged but stubbornly resourceful, she’s starting over in the same coastal village where her life once went so wrong. Waiting for her is Shibby Travis, the surrogate mother with whom Amie never lost touch. But the unexpected also awaits…

In Admit This to No One, we meet a group of women connected to a central figure either personally or professionally, and for better or for worse - an all-powerful and elusive speaker of the House, whose political career has only stopped short of being presidential due to his myriad extra-marital affairs. The speaker’s daughters from his several failed marriages have a complicated relationship with him to say the least - alternating between longing for his affection or bristling with resentment, and occasionally relief at being left out of the spotlight.

After receiving a lead from an unlikely source, Juliana, the mortician tasked with the bodies of victims of the "Carolina Creeper", the South’s most notorious serial killer in decades, sets off to New Orleans in search of Theresa Morris, an heiress and presumably the Creeper’s only surviving victim. Theresa now goes by “Tess” and is a shadow of her former heiress self. She’s also being pursued by famous novelist Michael, who sets his sights on Tess as the muse of his work-in-progress, oblivious to her former identity.

It’s July 1946, and after a decade of Depression and war, life in America is returning to normal. But for Charlotte and Mary Oswald, one tumultuous summer will unearth all their secrets and upend their world, once again. Charlotte Oswald’s life is dictated by rules. Where she can go. Whom she can speak to. How she can spend her long, dull summer days. It’s a small, closeted existence, but necessary to protect Charlotte, who has suffered from debilitating fits since childhood.

Psychic Mira Tejedor lies comatose in the wake of her second battle with the devious Madame Versailles, but her sacrifice was not in vain. Though at great cost, her nemesis is no more, her love has returned to the land of the living, and 12 innocent girls are back with their families. Still, young Anthony Faircloth can’t escape the notion there must have been another way. Obsessed with freeing Mira as Mira once freed him, Anthony works to rekindle their special link. Two distinct worlds, both forged in the imagination of Pyotr Ilyitch Tchaikovsky, threaten to consume his life.

Nine months have passed since psychic Mira Tejedor last walked the halls of Anthony Faircloth's adolescent mind. All but family now, Mira is relocating to Charlotte, NC, not only for a much-needed change of scenery, but to further her burgeoning relationship with Dr. Thomas Archer. On the eve of her move, however, a new threat emerges. Young girls from every corner of Charlotte are falling catatonic, a condition eerily similar to the illness from which Mira rescued Anthony the previous fall.

Many years before AMC's Mad Men was a hit, Daws Butler (Yogi Bear) wrote The Ad Game. Adam is the top copywriter at his firm when he finds himself in a career crisis that baffles his wife, Melissa, and his father-in-law, Ed, who is his boss.

The fae are watching. They already suspect Nelay can see them. But as the drought worsens, nine-year-old Nelay must rely more and more on her forbidden sight to keep her family alive. And then the worst happens. Only Nelay's sight will allow her to save her family. With the fae already watching - waiting for Nelay to slip up - she has to be more careful than ever not to reveal herself. Because if the fae realize she can see them, nothing will stop them from claiming her for their dark purpose.

Exiled from Canada to Los Angeles, Katy can't believe she is spending the summer with her father - punk name: the Rat - a recovered addict and drummer for the band Suck. Even though Katy feels abandoned by her mom, even though the Rat's place is a mess and he's not like anything she'd call a father, Kathy won't make a fuss. After all, she is a girl who is quiet and polite, a girl who smiles, a girl who is, well, beige. Or is she?

What would you do if your sister was shot and your brother was kidnapped? Melissa Allen knows. It's been six months since the attack at PAR Lab. Melissa, Carrie, and Adam have settled into a semblance of domestic bliss with Heather as their guardian. Things seem too good to be true. Someone has been watching them, taking photos and keeping notes. Someone who seems to know everything about them. Someone who has no problem trying to kill them.

In her debut memoir, Controlled, Neesha Arter shares the year of her life that followed a harrowing crime. When she was 14 years old, she was sexually assaulted by people she had no reason to mistrust. She tried, subsequently, to reconcile feelings of guilt and shame by searching for a means of control. In a whirlwind of legal proceedings, family conflicts, and loss of identity, Arter succumbed to anorexia as the only way to find her childhood self in an unraveling world.

Gabriella Mallory, AP student and perfect-daughter-in-training, stands barefoot on a public toilet for three hours while her school is on lockdown. Someone has planted a bomb, and she is hiding. The bomb is defused, but the would-be bomber is still at large - and everyone at Central High School is a suspect. The school starts a top-secret crisis help line, and Gabi is invited to join. When she does, she is drawn into a suspenseful game of cat and mouse with the bomber, who has unfinished business.

Ten years ago, seven-year-old Samantha and her next door neighbor Remy watched helplessly as Sam's little sister was kidnapped. Later, Remy and Sam identified the man and he was sent to prison.

Set in 1960s New York, this piquant coming-of-age story concerns a teenage girl, Queenie, raised to become a "kept woman" in an exceedingly comfortable and well-adjusted - yet insular and retrograde - household. After enrolling in college, Queenie confronts new understandings, both personal and political, and gradually becomes cognizant of the dated values imparted upon her.

San Francisco Noir lashes out with hard-biting tales exploring the shadowy nether regions of scenic "Baghdad by the Bay". In this superb collection, virtuosos of the genre meet up with the best of SF’s literary fiction community to chart a unique psycho-geography for a dark landscape. From inner city boroughs to the outlands, each contributor offers an original story based in a distinct neighborhood.

"Readers of Brooklyn Noir will recall that its contents were labeled by neighborhood - Bay Ridge, Canarsie, Greenpoint, etc. We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and Charles Ardai's Upper East Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village."

Though Lena is only 38, she finds herself in the grip of a midlife crisis. She feels out of place in her adoptive country, her career has stalled, and her marriage has tumbled into a spiral of apathy and distrust - it seems impossible she will ever find happiness again. But then she meets Ben, a failed artist turned reluctant academic, who is just as lost as she is. They strike up a precarious friendship and soon surprise themselves by embarking on an impulsive weekend adventure

Instead of choosing the good guy, I chose the bad guy. Instead of warding off the enemy, I moved in with him. And I thought the purpose of fear was to prevent you from doing stupid things. Gaia must decide whether she should call in the C.I.A. when she discovers an evil business empire plans to sell anti-fear drugs to the U.S. Army.