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The Raven Edition of the works of Edgar Allan Poe (1809-1849) presents his complete literary output in five volumes. In addition to The Narrative of Arthur Gordon Pym of Nantucket, Poe's longest work, Volume 3 contains six stories, which feature Poe's characteristic interest in death, dissolution, and twisted relationships.

The Raven Edition of the works of Edgar Allan Poe (1809-1849) presents his complete literary output in five volumes. The second volume contains 22 stories, which illustrate the author's fascination with the macabre, the unexpected, and the terrifying.

Stephen Leacock was a prolific and brilliant writer, whose tongue-in-cheek writings have been amusing Canadian fans for decades. He first published Winsome Winnie in 1920 as part of a compendium of short stories entitled Winsome Winnie and Other New Nonsense Novels. It relates the trials and tribulations of the recently orphaned and penniless Winnifred Clair.

Guy de Maupassant is widely regarded as the father of the modern short story. As his 13 volumes of short stories attest, he was a prolific writer of this form. He had a simple, efficient style of writing and, like Anton Chekhov, found inspiration for his stories in the daily lives of humans, which often reveal our darker nature. His years of service in the Franco-Prussian War provided him with rich material for his work.

The premier Russian dramatist before Chekov, Alexander Ostrovsky was one of the first masters of realistic theatre. A typical example of his approach to drama, A Protégée of the Mistress is almost cinematic in its presentation. The action is represented by a series of vivid snapshots, in which Ostrovsky quickly and subtly illustrates the foibles and weaknesses of each character, and shows how they are forced into a hostile dependence on each other.

The invisible man of the title is Griffin, a scientist who has devoted himself to research into optics and invents a way to change a body's refractive index to that of air so that it neither absorbs nor reflects light and thus becomes invisible. He successfully carries out this procedure on himself, but fails in his attempt to reverse it.

At the center of each of the four great Shakespearean tragedies - Hamlet, Macbeth, King Lear, and Othello - is a powerful figure who is led to destruction by a fatal character flaw. In the case of Macbeth it is ambition. Initially a valiant warrior, and staunch servant of his regal overlord Duncan, Macbeth succumbs to the lure of absolute political domination, which leads to murder, revolt, and comprehensive defeat.

Raffles had vanished from the face of the town, and even I had no conception of his whereabouts until he cabled to me to meet the 7.31 at Charing Cross next night. That was on the Tuesday before the Varsity match, or a full fortnight after his mysterious disappearance. The telegram was from Carlsbad, of all places for Raffles of all men!

Guy de Maupassant today remains among France's renowned short story masters. He excels at recounting the banal daily lives of Frenchmen, which yet reveal deep moral truths. The first of these three classic tales is Boule de Suif, which relates the desperate attempts of several French citizens intent on escaping the rule of invading Prussian forces. The coach heading for Havre is conveying people of varying classes—nobility, rich and merchant—to a woman of comfort, whose heart and dignity prove larger than any of her fellow passengers'.

Sam the sheep is having a hard time. He is pining for Ava the fox, and his actor friends are away performing their play without him. What’s more, someone has decided to build a Community Center in the next field, and the noise is simply terrible. One of the builders has deeply offended Morag the Tabby Cat, and she is starting a Resistance movement – though why she thinks there are gorillas in the field is anybody’s guess.

From Britannica, The Horla, by Guy de Maupassant, is considered a masterly tale of the fantastic. The story was originally published as "Lettre d'un fou" ("Letter from a Madman") in 1885 and was revised, retitled "Le Horla," and published again in October 1886; the third and definitive version was published in May 1887. It is presented in the form of a diary and energetically details the hallucinatory obsessions of a madman.