Showing results by narrator "Matthew Schmitz" in All Categories

The Burden of Isis, being the laments of Isis and Nephthys, translated from the Egyptian by James Teackle Dennis, was first published in 1910. This edition is from a reprint in 1918. Includes "The Laments of Isis and Nephthys", "The Chants", and "Hymn to Osiris-Sokar".

The Book of Lambspring is one of the few real-life cases of a centuries-old book on alchemy. Nicolas Barnaud was a French Protestant writer, physician and alchemist, from Crest, in Dauphiné, from which he took the name Delphinas. He was a member of the Monarchomaques. He is associated with a number of mysteries.

Brought to you by Altrusian Grace Media (altrusiangrace.com) and human-narrated by Matthew Schmitz. This is a collection of five alchemical tracts written by one of the most famous alchemists who was said to have discovered the Philosopher's Stone. In these writings Paracelsus attempts to educate the reader about the nature of the Philosopher's Stone and the scientific principles from which we can be assured of its existence and understand how it works. Like all alchemical tracts, the language is very cryptic and allegorical so as to be unintelligible to the unworthy.

The Six Keys of Eudoxus is a short but important manuscript within alchemy. Ascribed to an ancient philosopher, it dates to the Renaissance and describes a simplistic set of methods by which alkahest and the philosopher's stone can be made.

"The Crawling Chaos" is a short story by American writers H. P. Lovecraft and Winifred V. Jackson, first published April 1921 in the United Cooperative. As in their other collaboration, "The Green Meadow", the tale was credited to "Elizabeth Berkeley" (Jackson) and "Lewis Theobald, Jun" (Lovecraft). Lovecraft wrote the entire text, but Jackson is also credited since the story was based on a dream she experienced.

"The golden tractate" (Aureus) by Hermes Trismegistus is a classic text of Hermetic and ancient Philosophy about natural and divine magic; it will strongly influence the later Alchemic literature. The Golden Tractate of Hermes, first created in the Renaissance and rendered into English in 1850, is one of a number of texts from its era attempting to explain alchemy, along with the works of Pontanus and Artephius.

The Sword of Welleran and Other Stories is the third book by Anglo-Irish fantasy writer Lord Dunsany, considered a major influence on the work of J. R. R. Tolkien, H. P. Lovecraft, Ursula K. Le Guin, and others. It was first published in hardcover by George Allen & Sons in October 1908, and has been reprinted a number of times since. Issued by the Modern Library in a combined edition with A Dreamer's Tales as A Dreamer's Tales and Other Stories in 1917.

"Lamia" is the English Romantic poet John Keats's lush, eerie tale of enchantment defeated by merciless rationality. Set in the world of ancient Greco-Roman myth, the poem tells the story of the serpent-spirit Lamia, who talks the god Hermes into transforming her into a beautiful woman so she can pursue her beloved, a handsome young man named Lycius. The couple is blissfully happy for a time—but their joy can't last. Icy reason, in the form of the philosopher Apollonius, at last punctures their shared dream.

Algernon Blackwood’s The Willows is a tale of creeping dread set along the shifting banks of the Danube, where two travelers find themselves stranded on a remote island overwhelmed by sinister willow trees. As the river swells and the land erodes beneath them, they become aware of an unseen, inhuman presence pressing against the fragile boundaries of their world. The natural landscape itself seems animated with hostile intent, its whispering branches and ceaseless currents hinting at cosmic forces beyond comprehension.

Privately printed at Edinburgh in 1886, this is a translation of a Latin text written by M.J.H. Heucher in the late seventeenth century. This is a short pamphlet recounting the use of numerous botanical applications with regard to ancient medicine and magic and religion. Appended to the title-work is a text entitled "Confessions of Witches under Torture".

The Thing on the Roof, written by Robert E. Howard in 1932, is a chilling tale that masterfully blends elements of Lovecraftian cosmic horror with Howard’s signature sense of adventure and danger. First published in Weird Tales in 1932, this story exemplifies Howard’s ability to craft narratives that delve into forbidden knowledge, ancient relics, and the inevitable consequences of tampering with forces beyond human comprehension.

The Frost-Giant's Daughter, written by Robert E. Howard in 1932, is one of the earliest tales of Conan the Barbarian, set in the mythical Hyborian Age. Originally rejected by Weird Tales magazine during Howard's lifetime, the story was later published posthumously in 1953 in The Coming of Conan. This tale stands out for its dreamlike quality, blending raw, brutal action with haunting, mythic beauty.

The Descendant, written by H.P. Lovecraft in 1927, is a brief and tantalizing fragment that hints at a larger, untold story steeped in ancient horrors, forbidden knowledge, and the weight of ancestral guilt. Unpublished during Lovecraft’s lifetime, this unfinished piece explores themes central to his mythos, such as the peril of delving into arcane mysteries and the fragile boundary between human understanding and cosmic terror.

The Doom That Came to Sarnath, written by H.P. Lovecraft in 1919 and first published in The Scot in 1920, is a haunting tale of arrogance, hubris, and cosmic retribution. Set in Lovecraft’s fictional dreamland, the story weaves a narrative of an ancient city’s rise and catastrophic fall, showcasing his talent for crafting rich, otherworldly settings imbued with mystery and terror.

The Cats of Ulthar, written by H.P. Lovecraft in 1920, is a short yet striking tale that showcases his ability to blend dark fantasy with moral allegory. First published in Tryout in 1920, the story is a haunting meditation on justice, retribution, and the mystical bond between cats and the arcane. It occupies a unique place in Lovecraft’s body of work, weaving a fable-like narrative that retains the eerie undertones characteristic of his writing.

Brought to you by Altrusian Grace Media (altrusiangrace.com) and human-narrated by Matthew Schmitz. The Alchemist, written by H.P. Lovecraft in 1908, is one of his earliest works, showcasing his budding talent for atmospheric storytelling and his lifelong fascination with themes of ancestral guilt, curses, and the occult. Set in a decaying, isolated castle in the heart of medieval France, this gothic tale is steeped in the dark traditions of vengeance and supernatural retribution.

Cool Air, written by H.P. Lovecraft in 1926, is a chilling tale that masterfully blends gothic horror with the scientific and psychological themes characteristic of Lovecraft's work. First published in Tales of Magic and Mystery in 1928, this story explores the fragility of human life and the lengths to which one might go to preserve it, set against the backdrop of a decaying New York City apartment.

The Beast in the Cave, written by H.P. Lovecraft in 1905 when he was just 14 years old, is one of his earliest forays into the world of macabre fiction. Despite its brevity and the youthfulness of its author, this tale demonstrates Lovecraft's early talent for crafting an atmosphere of suspense and his fascination with the grotesque and the unknown.

The Book is an enigmatic and fragmentary story written by H.P. Lovecraft in 1933, left incomplete and unpublished during his lifetime. It stands as a tantalizing glimpse into the core of Lovecraft’s mythos, where forbidden knowledge and ancient horrors intertwine to create a sense of cosmic dread. Though brief, the piece carries the essence of Lovecraft's obsession with the dangers of delving into mysteries beyond human comprehension.

The Diary of Alonzo Typer is a haunting story crafted by H.P. Lovecraft in collaboration with writer William Lumley. Written in 1935, it unfolds in the form of a found manuscript—a diary belonging to Alonzo Typer, an investigator who vanishes after exploring an eerie, abandoned mansion steeped in mysterious and occult history. This story combines Lovecraft’s fascination with ancient evils, forbidden knowledge, and crumbling old New England settings with Lumley’s intense interest in mysticism and the supernatural.