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Thomas Troward (1847 - 1916) was a divisional Judge in the British administration of India. In his later years, he developed a distinctive discipline of personal development which he called Mental Science. He had a particular reverence for Jesus. In the introduction, the author asserts that "we possess latent powers which a better knowledge of the truth regarding ourselves will enable us to develop, and that the purpose of the Bible is to lead us into this knowledge in a perfectly natural manner while guarding us against the dangers arising from misuse of it."

Although he was well known as an authority on spiritual traditions, Paul Carus was unusual in that he refused to align himself with any particular form of organized religion. In any case, his universalist view of God would probably have put him outside the allowable boundaries of Christian belief. Carus was particularly active in raising awareness of Eastern spiritual traditions in the West.

Thomas Troward (1847-1916) was a divisional Judge in British-administered India, who, in his later years, developed a highly idiosyncratic New Thought philosophy. One of Troward's most startling assertions was that thought had the power to directly create phenomenal manifestation. This theme is explored in detail in this particular book. According to Troward, the universe is the expression of a Universal Creative Principle, which is activated by the self-contemplation of Spirit. To be complete, creation is obliged to incorporate physical expression.

This poem consists of 11 stanzas of varying length, the first four of which were composed in 1802. These deal with the subject of death, a concept with which Wordsworth confesses to having struggled within childhood.

Thomas Troward was a divisional Judge in British-administered India who had a particular interest in the study of comparative religion. Influences on his thinking, as well as on his writing, included the teachings of the New Testament, Islam, Hinduism, and Buddhism. After his retirement from the judiciary in 1896, Troward applied himself to the study of cause and effect in the spiritual realms using the principles of judicial investigation.

This book, a true spiritual classic, consists of notes of several conversations had with, and letters written by, Nicholas Herman, of Lorraine, a humble man of little education. After having served as a soldier and a footman, Herman was admitted as a lay brother to the order of the barefooted Carmelites at Paris in 1666, where he took the name "Brother Lawrence." The conversations are supposed to have been recorded by Joseph de Beaufort, who later became vicar general to the Archbishop of Paris.

John Donne (1573-1631) is considered by many to be the finest poet of the Elizabeth Age after Shakespeare. Ironically, poetry was not Donne's dominant preoccupation. In his own day, he was better known as a scholar, and, in later life, a clergyman. His verse was composed sporadically and in an offhand fashion and appears not to have been subjected to revision. In spite of occasional solecisms, his poetic verbiage is vigorous and compelling and marked by a striking use of imagery.

Alexander Pope was fiercely critical of writers whom he considered to have little talent and whom he liked to nominate as dunces. His most encyclopedic examination of these apostles of dullness is the Dunciad, a long satirical saga first published in a three-book version in 1728. A variorium edition followed shortly afterwards in 1729. In 1742, Pope added a fourth book, and a new, complete edition was published in 1743.

Manly Palmer Hall was a lecturer and author, whose particular interest was in arcane spirituality and esoteric religious traditions. He was associated with a number of universalist religious groups, like the Rosicrucians, and, in later life, the Freemasons.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

Emma is a vivacious twenty-year-old, who has spent her life in the pleasant seclusion of a village community and who lives with her widowed valetudinarian father. Most of the neighbors admire and approve of her, except for George Knightley, a local landowner, who often expresses his disapproval of Emma’s highhanded and controlling tendencies, in particular her assumption of the unofficial role of matchmaker.

Shakespeare’s history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII.

The Jumblies and Other Nonsense Verses by Edward Lear. Narrated by Denis Daly, Sarah Bacaller, and Lucy Bacaller. These 14 poems have been drawn from the Nonsense Books of Edward Lear.

It is said that there is no-one more zealous in a cause than an adult convert. A notable example of this was Joseph McCabe, whose conversion was not to a religion, but from religious faith to secularism. Ordained as a Franciscan priest in 1890, and later recognized by the Catholic Church as an able scholar and teacher, by 1897 McCabe had completely lost his faith and had left the priesthood. He became a very active secularist, delivering thousands of public lectures and publishing over two hundred books on a wide range of religious, historical and scientific topics.

These four poems, which deal with ethical issues, were collated and published in 1751 by William Warburton, seven years after Pope's death.

This is the first of Tennyson's poems to be based on Sir Thomas Malory's Morte d'Arthur. The first draft was composed in 1834, and the finished work was published in Poems (1842). Later Tennyson incorporated the poem into the Idylls of the King (1870) under the title of "The Passing of Arthur". The narrative of this poem was drawn from the third, fourth, and fifth chapters of the 21st book of Thomas Malory's romance.

This collection of verse was first published in 1920. It contains 12 poems published in an earlier collection, Prufrock and Other Observations, in 1917, together with 12 later poems, four of which are in French. Both collections were dedicated to Jean Verdenal (1889-1915).

While not being not particularly scary by the standards of today many of the ghost stories of the Victorian Era are very entertaining, and represent escapist literature of the highest quality. In To Be Taken With a Grain of Salt, which first appeared in the 1865 Christmas Edition of All the Year Round, the master novelist presents a lively portrait of the spectre of a murder victim with a desire for vengeance.