Showing results by narrator "Phillip J. Mather" in All Categories

"The Stars in Their Courses" by John Freeman [1880 - 1929] was published in Poems of the Great War in 1914 on behalf of The Prince of Wales’ national Relief Fund.

"The Man Who Keeps His Head" by Harold Begbie (1871-1929) was published in Poems of the Great War in 1914 on behalf of The Prince of Wales' national Relief Fund. A reporter with the Daily Chronicle at the start of the war, Begbie wrote a number of recruiting poems and visited America to aid the recruitment effort there.

Written in 1914 by Owen Seaman, the poem "Pro Patria" is a call to arms to defend the righteous and noble values that England was deemed to represent. Calling upon God to support the coming actions of the war, based on a gallant national history, "Pro Patria" is an allusion to Horace and was also utilized in Dulce Et Decorum Est by Wilfred Owen.

The narrator pledges to donate 50% of his proceeds to The Royal British Legion Poppy Day Appeal - please support. The Fourth of August [1914] was the day that Britain entered into World War One. This poem by Laurence Binyon reminds the British public of their heroic past, and that the travails that lie ahead are justified by the righteous cause, and by following in the footsteps of those who fought before they will vanquish the foe.

Written in 1914 by Rudyard Kipling, "For All We Have and Are" exhorts the British people to rally together with courage and strength in the coming desperate struggles.

This World War I poem by Henry Newbolt exhorts the British people to face the onset of war with the belief that God will defend their efforts in a righteous cause, exhorting the nation to “Pray that God defend the Right”. The Vigil was published in 1914, in “Poems of the Great War”, the net profits of which were donated to the Prince of Wales’ Fund.

Rudyard Kipling’s Gentlemen-Rankers first appeared in Barrack-Room Ballads and refers to young men of the privileged classes who may have suffered the indignity of bankruptcy or scandal, and joined the ‘rank-and-file’ of the British Army as privates.

Originally published as part of the Just So stories, this tale has no animals, but is the endearing story of a Neolithic child and the hilarious ramifications of attempting to request a fresh fishing spear from the village by use of a pictorial letter. As ever, Kipling’s timeless prose is evocatively presented by Phillip J Mather - an excellent listen!

Kipling’s timeless classic of How the Leopard Got His Spots is skilfully narrated by Phillip J. Mather. Phillip’s mellifluous tones transport the listener, young or old, back to a time when the world map was indeed coloured red!

The kangaroo once ambulated on four legs. This charming story by Rudyard Kipling, and wonderfully narrated by Phillip J. Mather tells us how the kangaroo became the marsupial we know today.

"The Beginning of the Armadillos" is a tale that focuses on two days in the lives of three creatures "who lived on the banks of the turbid Amazon": Stickly-Prickly the hedgehog, Slow-and-Solid the tortoise, and Painted Jaguar.

One of Kipling’s Just So stories that might have been named “How the Elephant Got His Trunk” takes us to the banks of the "Great Grey-Green, Greasy Limpopo" river. A timeless classic, masterfully narrated by Phillip J. Mather.

The Rhinoceros was not always all wrinkly as he is today. In fact he was a rather smooth but bad mannered beast. His bad manners, in fact, are what got him into trouble. When you steal something that belongs to the Parsee-man, you could be in a heap of trouble. Sit back and listen as Phillip J. Mather masterfully tells the Rudyard Kipling tale of How the Rhinoceros Got His Skin.

From Just So Stories by Rudyard Kipling and narrated by Phillip J. Mather, we learn the Camel has a hump given to him by a djinn as punishment for the camel's refusing to work (the hump allows the camel to work longer between times of eating).

How the Whale Got His Throat is the first of Kipling’s Just So stories (published in 1902) as series of fantastical children’s stories, themed with explaining oddities from the animal kingdom. Phillip J Mather’s skilful narration captures the spirit of the age, and will appeal to adults and children alike.

Whinchat is a nostalgic reminiscence of a long ago bucolic vacation that awakened a life-long interest in nature. Skilfully written and self-narrated by Phillip J. Mather, the tale will strike a chord with birdwatchers and nature lovers alike, and will remind all of gentler times in 1950’s England.

This quintessentially English poem is in the form of a father’s advice to his son on transitioning into manhood. Phillip J. Mather’s masterful delivery poignantly captures Kipling’s inspirational and timeless philosophy.

Conradin, a ten-year-old boy, rebels against his strict guardian when he invents a new religion which idolizes his pet polecat-ferret, Sredni Vashtar. Conradin hides Sredni Vashtar and prays to him in secret. When the guardian begins a search for the boy’s new god, Conradin’s worship is answered with disturbing results.

In this series of books, I have set out prove that statement is completely untrue and in fact with customers like these then maybe the opposite could be said. As with the first book, these excerpts and comments are all true (as far as I am aware) and though some you may have heard before, I hope there are plenty that you haven't!

Siegfried Sassoon is one of the best-known of the plethora of First World War poets. His poem, Counter-Attack, was published in 1918 in Counter-Attack and other poems and describes the horror of life in the trenches of the Western Front.