Showing results by narrator "Linda Barrans" in All Categories

This book contains two plays by Henrik Ibsen. Norma is a satirical opera designed as a dramatic parody of Vincenzo Bellini's opera Norma, in which the characters are portrayed as central figures in the political life of contemporary Norway. St. John's Night is a fairy-tale comedy that takes place during a midsummer feast on a farm in Telemark. It is inspired by many sources, most notably A Midsummer Night's Dream by William Shakespeare, and features many of the same themes.

In Celebrated Crimes [eight volumes: this version, 1895], Dumas the elder, recognised master of historical fiction (The Count of Monte Cristo, The Three Musketeers) turns to historical fact. In this volume: Joan of Naples. The much-married queen does what she must to survive ‘the violence and treachery of this barbarous age’. ‘An angel soiled by crime, she lied like Satan himself .’ The Man in The Iron Mask (an essay). How much of the well-known story is fact, and how much fiction?

Passion and intrigue among the upper classes form the basis of Lady Windermere's Fan, Oscar Wilde's first successful play, which displays his trademark wit and wisdom. Beautiful and innocent Lady Windermere finds out that her husband has been keeping company with the scandalous and mysterious Mrs. Erlynne. Her discovery unleashes a host of tensions at her 21st birthday party, where London's elite have gathered to gossip.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

Sir Pelham Grenville Wodehouse (aka PG Wodehouse) wrote in excess of 90 books, 40 plays, and 200 short stories between 1902 and 1974 and is widely regarded as one of the greatest humorists of the 20th century. Right Ho, Jeeves! is his second in a series of books written about a luckless young British millionaire named Bertram Wooster and his sharp valet, Jeeves.

Persuasion has certain similarities with Emma, another late novel by Jane Austen. In both stories, the heroine is a young woman who lives with her widowed father, and who has an enduring attachment to her eventual spouse from the opening of the action. Persuasion also incorporates certain elements common to Austen's earlier novels, such as characters from the military, visits to Bath and calculating and cynical suitors. In the end, Anne Elliot successfully combats the destructive vanity of her father and the machinations of her villainous cousin William.

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love with a glamorous but unscrupulous adventurer, Willoughby. Elinor sees trouble brewing but the enraptured Marianne does not. The sisters question each other’s choices in love.

Mansfield Park is the third published and perhaps most subtle of Jane Austen's novels. It tells the story of Fanny Price, who, at the age of 10, is sent from her impoverished household to live with her wealthy aunt and uncle and be raised alongside her cousins. Fanny grows up as a misfit, not truly a member of the Bertram family, but too genteel to feel comfortable with her parents.

In 1907 New Thought author James Allen published a verse anthology entitled Poems of Peace. Included in the collection is his sole dramatic work, Eolaus, which describes the journey of a troubled pilgrim from the wilderness of worldly despair to the heights of personal realization.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

This is the story of Morning Glory’s turn of the century kenbutsu—her travels—to America. Guided by her uncle, a Harvard graduate, Morning Glory travels at a time when most Americans know little or nothing about Japan, aside from the popular tunes of The Mikado (1885) and The Geisha (1896).

Sam the sheep lives in a field somewhere in England. It’s a quiet life, but he has his friends, his favorite tree, and still manages to have the occasional adventure. As well as curious and philosophical Sam, we meet Morag the grumpy tabby cat; Ava the tiny fox, brave and determined; Liam the beetle with a dream; Terry the house-proud Terrapin; Boris the bee; and Watt the scary dog (or is he?). In this story, Sam meets some actors, makes new friends, and even takes part in a play.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

The plot follows the usual trajectory of a young girl falling in love and the relationship becoming compromised by unforeseen circumstances. In this case, Austen’s heroine is a naïve country girl, Catherine Morland, who has an addiction to reading the Gothic horror novels which were so popular in the Regency period. When she is invited to stay at the family seat of her love interest and discovers it to be a vast and ancient castle, her romantic imagination runs riot. What secrets lie hidden in this vast pile over which the widowed head of the house exercises an iron control?

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

This play is a fictionalized account of the life of William Shakespeare, beginning from his humble origins in Stratford-upon-Avon with his wife, Anne Hathaway, to his life as a successful playwright in London. This play uses several biographical speculations about Shakespeare's life to tell a fascinating tale, such as his relationship with his wife (to whom he famously left his "second-best bed" in his will), his friendship with fellow playwright and competitor Christopher Marlowe, his interactions with Queen Elizabeth I, and an extramarital dalliance with the queen's maid of honor.

Ludovico is a despised second son, only child of a scorned second wife. He finds love with Viola, a peasant girl, and they have a son. Their happiness is threatened when Ludovico's older brother dies suddenly and he becomes the heir. His father, the proud and cruel prince of Mondolfo, will let nothing stand in the way of his legacy.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

Sometimes he came round and patted me, saying in his quiet, pleasant way, "This horse has got a good master, and he deserves it." It was a very rare thing for any one to notice the horse that had been working for him. I have known ladies to do it now and then, and this gentleman, and one or two others have given me a pat and a kind word; but 99 persons out of 100 would as soon think of patting the steam engine that drew the train. This is the heart-warming story of Black Beauty, his masters, and his friends.

This collection contains Oscar Wilde's four best-known comedies: The Importance of Being Earnest; Lady Windermere's Fan; An Ideal Husband; and A Woman of No Importance. All of them satirize upper-class English society of the 1890s, dramatizing scandalous secrets, political and marital intrigue, and dandyish bad behavior with Wilde's trademark wit and wisdom.