Showing results by narrator "Orson Welles" in All Categories

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

Marsbewohner landen in New Jersey. Ein Radioreporter berichtet live von ihrem Angriff auf die Bevölkerung. Die Hörer erleben ein beklemmendes Szenario... bis Orson Welles es in der Absage zum Halloween-Scherz erklärt.

Considered one of the greatest filmmakers of the twentieth century, legendary director, producer, and screenwriter Orson Welles was also an acclaimed actor, whose distinctive voice commanded attention. In this recording, Welles offers historic interpretations of excerpts from classic literature. This collection features time-honored works by several distinguished contributors, including American authors Nathaniel Hawthorne and Edgar Allan Poe, as well as Joseph Conrad, Rudyard Kipling, Saki, Robert Louis Stevenson, and Oscar Wilde.

Orson Welles stars in this dramatisation of Dickens' A Christmas Carol.

He stood just three feet tall, but his wit was larger than life! Charlie McCarthy was made of wood, but to millions of radio listeners, he was as real as Edgar Bergen - and much, much funnier. Impudent, irreverent, and positively irrepressible, here are 16 rare and classic radio episodes featuring Charlie himself.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Director, Actor, Genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went Indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice; perfect for radio. Here, in the Black Museum he sets the scene as true life crime is retold. Mr Welles we’re ready....

Orson Welles, Sir Laurence Olivier, and Michael Redgrave present a collection of classic Russian fiction including "The Overcoat", "The Queen of Spades", and "A Day in the Country."

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Film noir: the name comes from the French for “black” or “dark film.” It points to the central feature of the genre: mood. There is a darkness about film noir, a somberness accompanied by a thrill of dread and ever-present danger. This aura envelops wealthy heiresses, English aristocrats, tough-guy drifters, jazz musicians, drug dealers, and respected schoolteachers—all of whom have secrets to hide and much to lose if those secrets are unveiled.