Showing results by narrator "David Ledoux" in All Categories

Brand-new stories by: G. M. Ford, Skye Moody, R. Barri Flowers, Thomas P. Hopp, Patricia Harrington, Bharti Kirchner, Kathleen Alcalá, Simon Wood, Brian Thornton, Lou Kemp, Curt Colbert, Robert Lopresti, Paul S. Piper, and Stephan Magcosta. Early Seattle was a hardscrabble seaport filled with merchant sailors, longshoremen, lumberjacks, rowdy saloons, and a rough-and-tumble police force not immune to corruption and graft.

Governor Saxa, of the great city of Carce, a fantasy analog of ancient Rome, is rusticating at his villa. When Saxa's son Varus accompanies Coryluson a visit to the household of his father, Crispus, a retired military commander, Saxa graciously joins the party with his young wife Hedia, daughter Alphena, and a large entourage of his servants, making it a major social triumph for Crispus.

Peter Galvin was just 17 when Tracy Whitland - the love of his life - vanished without a trace. In the years after her death, he had finally moved on, gotten married, started a family. He is content with his life now - happy, even - until Tracy suddenly and inexplicably returns.

The second novel of The Books of the Elements. The wealthy Governor Saxa, of the great city of Carce, has generously and lavishly subsidized a theatrical/religious event. During this elaborate staging of Hercules founding a city on the shores of Lusitania, strange and dark magic turns the panoply into a chilling event. The sky darkens and the waves crash in the flooded arena. A great creature rises from the sea: a huge, tentacled horror on snake legs. It devastates the city, much to the delight of the crowd.

Seven strangers wake up in a sealed compound with no idea how they got there. They are informed by a computer-generated voice that they must complete tasks in order to leave, and that failure to complete any of the tasks or breaking any of the rules results in a strike. The first two strikes induce extreme pain. The third strike is death. As they struggle to survive without turning on each other, they have no idea that their actions and choices could doom humanity. Or save it.

The stories in Paul Alan Ruben's Terms of Engagement explore father and son as intimate enemies, each yearning to be understood, acknowledged, and validated by the other. Raw and gripping as delivered by a cast of incredible narrators, these nine stories take place in collision territory - where father and son engage in trying to repair their alienation.

After receiving an unexpected call from the Australian consulate, Matt Santos becomes aware of a painting that he believes was looted from his family in Hungary during the Second World War. To recover the painting, he must repair his strained relationship with his harshly judgmental father, uncover his family history, and restore his connection to his own Judaism. 

Pike Sherman is a legend in Lonesome Point, a hometown boy who made it to the big leagues. Literally. Professional baseball acquired one hell of a pitching arm and its latest celebrity bad boy when the gifted Pike was drafted seven years ago. Pike's broken heart came along for the ride, but he kept that private.

Robert Lawson - Bubba to his friends - is six feet, four inches of tall, dark, and handsome cowboy, with a panty-melting voice and a face made to launch a country music career. But when his family's ranch hands go down with the flu, Robert cancels his high-profile auditions in Austin, and returns home to Lonesome Point to help out. Fortune and fame are all well and good, but family and friends come first.

East Texas in the 1960s is not the worst place to have grown up, but for narrator Jake of The Jugheads, it was a minefield. Describing clearly and courageously first jobs and first kisses, family vacations and family fights, Jake takes us through a wild coming-of-age ride, in an ordinary American family that he believes is as violent and dysfunctional as they come. By turns hilarious and moving, The Jugheads is a compelling return to form for a master of the underside of the American psyche.

Where Am I Eating? shows how what we eat affects the lives of the people who produce our food, and explores the global food economy including workers' rights, the global food crisis, fair trade, and immigration. Where Am I Eating? does not argue for or against the globalization of food but personalizes it by observing the hope and opportunity, and sometimes the lack thereof, that the global food economy gives to the world's poorest producers.