Showing titles in Drama

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

The story of Medea is only one part of a myth about the Argonauts' campaign. It portrays Jason joining a battle with fire-breathing bulls and a dragon guarding the Golden Fleece; Medea is helping him tame the beasts. She then follows him to Greece, because she falls in love. It is also a story of how a once young, beautiful and joyful woman transforms into a monster, hungry for revenge; she kills even her own children. A long trail of horrible deaths, tied to her life path, is hard to imagine.

Romantic havoc ensues in the town of Bath when Sir Anthony arrives to arrange the marriage of his son Captain Jack Absolute to the wealthy Lydia Languish. Jack and Lydia are already in love, but because of Lydia’s obsession with romantic novels, Jack has disguised himself as a poor officer named Ensign Beverly – and he is only one of Lydia’s many suitors. i>The Rivals was Sheridan’s first play, and this charming comedy of manners continues to be widely performed today. Includes an interview with Linda Kelly, author of Richard Brinsley Sheridan: A Life.

Barbara is a major in the Salvation Army - but she's also the daughter of Andrew Undershaft, a man who's made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can!

Twelfth Night, nowadays one of Shakespeare's best-loved and most-admired comedies, was not always so regarded: Samuel Pepys saw the play three times in the 1660s and judged it 'silly'. Modern audiences, critics, and directors seem better attuned to its delicate counter pointing of romance and realism....

A tender love story, a serpentine villainess, a glittering setting in London society, and a showering of Wildean witticism are only a few of the reasons why this play has enjoyed hugely successful revivals in London, in New York, and on the silver screen. This 1895 drama is eerily prescient, as it examines the plight of a promising politician, desperate to hide a secret in his past. With empathy and wit, Oscar Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.

Acclaimed classicist James Romm translates surviving pieces of timeless wisdom from the lost plays of ancient Athens. "The truly happy man ought to stay at home." "Hunger, and lack of coin, put a stop to love." "Hades, alone of the gods, does not enjoy bribes." These quotes―and hundreds of...

Hedda Gabler, the daughter of a deceased General, marries dull George Tesman and foresees a life of middle class tedium stretching ahead when they return from their honeymoon. Increasingly, she is drawn into the clutches of her admirer, Judge Brack, who seeks to establish a ménage a trois. Then the brilliant but dissolute Eilert Lovborg, a former flame, arrives to rival her husband for an academic post.

This production of Hamlet, directed by Sir John Gielgud and starring Richard Burton, was recorded in the Lunt-Fontanne Theatre, and with the actors performing just as they would if you went to see a production tonight. "The particular intensity and nerves of this is probably the same kind of thing that excites an audience in live theater," says Richard Burton.

The body of Polynices, Antigone's brother, has been ordered to remain unburied by Creon, the new king of Thebes. Antigone defies the law, sealing her fate. Originally produced in Paris during the Nazi occupation, Anouilh's Antigone was seen by the French as theatre resistance and by Germans as an affirmation of authority.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

Insecure siblings fighting for their parents' attention; bickering spouses who can't stand to be together or apart; adultery and sexual experimentation; even the struggle to balance work and family: These are themes as much at home in our time as they were in the twelfth century. In James Goldman's classic play The Lion in Winter, domestic turmoil rises to an art form.

Slavoj Žižek revists his radical interpretation of Antigone 10 years on, elaborating on the original work in daring and surprising ways. This updated text includes an additional essay reflecting on how this play speaks to our contemporary moment more powerfully than ever, as well as a...

Five works in one collection. This audiobook of his treasured poetry collection walks you through a time when the American Experiment came to a new maturity; when the Transcendentalist Movement forever changed life and poetry.

The Tragedy of Hamlet, Prince of Denmark, or more simply Hamlet, is set in Denmark, and recounts how Prince Hamlet exacts revenge on his uncle Claudius, who has murdered Hamlet's father, the King, and then taken the throne and married Gertrude, Hamlet's mother. The play vividly charts the course of real and feigned madness—from overwhelming grief to seething rage—and explores themes of treachery, revenge, incest, and moral corruption.

Discover the genius of William Shakespeare in this entertaining and educational full-cast drama, designed to whet the appetite and introduce you to the man, the life, the legacy. Includes key scenes from the major plays.

"Elizabeth I of England is threatened by the survival of her Catholic cousin, Mary Stuart. Wrestling with her own conscience, the queen agonizes over Mary's fate, amidst fears for her own life. Court intrigue has never been more gripping than in this 'acute study in the art of double-dealing politics'.” (The New York Times)

Judith Anderson and Anthony Quayle perform 'Medea', an ancient Greek tragedy written by Euripides. It is based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.