Back on the couch after the runaway success of his last debut album ‘Angel Face,’ the 23-year-old returns with his new record ‘LOVE, LOVE, LOVE’ — not a concept album like his first, but a record that gets down to basics in terms of celebrating what really makes the world go round: Love in all its forms.

The California-born, Nashville-based singer is reflective with regards to his influences — his grandparents, the Martin Luther King Jr. biopic ‘Selma,’ his French fiancée Devi, while also considering the effect of hookup culture and what you’re missing out on when the going gets tough.

Swerving from the retro 50/60s stylings of ‘Angel Face,’ Sanchez decamped to Sweden to work with the Max Martin crew resulting in a big pop record with a 70s bent. He talks about all this plus getting engaged to his partner and sometime collaborator Devi, the pressure of avoiding a sophomore slump, painting, the influence of his grandparents, the success of “Until I Found You,” and much more.

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Why is Oliver Tree dressed like Shrek? Is it performance art or deeply earnest work? Are there any original ideas in the world? And what happens when you spend two years recording a record across seven continents and 80 countries ranging from Africa to China to Afghanistan. Oh and a year in Antarctica. We endeavour to explore all of what the heck Oliver Tree has been up to.

Plus the story behind his new album ‘Love You Madly, Hate You Badly,’ the pursuit of joy, falling off the internet, remixing in Iraq, redefining success, being elected a chief by the Maasai in Tanzania, where he wants his money to go when he dies and so much more.

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We’re thrilled to have Noah Kahan back in for a third time to discuss the double whammy of his new, fourth album ‘The Great Divide’ and his stunningly honest documentary ‘Out of Body’ (out now on Netflix) which charts this post-‘Stick Season’ period — the endless tours, the knuckling down to make this new record, and confronting not only himself in this new era, but also exploring the impact his success has had on his family.

The documentary becomes not just a mode of capture, but a tool of communication for him to really open up to his mom and dad, and also stare down some of his own demons, his body dysmorphia in particular. Much of this ultimately filters into ‘The Great Divide,’ an album steeped in his beloved home state Vermont, and his home life — his wife, friends, family. We talk about all this and so much more.

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