Peter and Eden dive into the first four issues of Larry Hama's classic G.I. Joe: A Real American Hero comics — a Kickstarter Peter may have regretted until roughly issue three, when a self-reassembling mech changed his mind. Before getting to Cobra, they cover Eden's return to Final Fantasy XIV and a crash course in Riichi Mahjong, Peter's take on Dungeon Crawler Carl Book 7 (enthusiastically defended as entertainment, explicitly not art), the emotional weight of the new At the Gates album The Ghost of a Future Dead, and a handful of other metal releases. The G.I. Joe discussion turns into a genuinely good riff on comics history, the widescreen movement, and what it feels like to read a 1982 military action comic with 2025 eyes.

SHOW NOTES

• Eden returns to Final Fantasy XIV: The new expansion Everkold was announced and Eden is skeptical of the premise. They made a new character on a new data center with a self-imposed gimmick — only picking classes that use magic, which leads to some fun justifications for Dark Knight and Reaper.
• Riichi Mahjong crash course: Eden attended a learn-to-play Mahjong event at a local board game lounge and has been practicing at the Gold Saucer in FFXIV. The tiles are described as resembling Haribo frogs — thick, satisfying, extremely edible-looking.
• Eden's reading: Clematis and Wisteria series: A contemporary fantasy series set in a majocracy where healers are second-class citizens bonded to mages. Features two prickly, genuinely unlikable protagonists in a slow-burn enemies-to-lovers arc. Eden is several books in and very much into it.
• Dungeon Crawler Carl Book 7: Peter finished it and reaffirmed his position that it is not art — it is McDonald's. A fun, genre-appropriate palate cleanser, nothing more. This generated at least one spirited reply from a listener on social media that Peter declined to further engage with.
• Dresden Files Book 18 (Cold Days): Peter is halfway through and pleasantly surprised by how contemplative and low-action it is so far — Harry processing trauma rather than punching things. He expects crazy stuff by the end.
• Metal roundup: Peter covers several recent releases — Grief Collector's The Death of All Dreams (classic doom), A Dream of Poe's Katabasis: A Marriage Among Ashes (gothic/symphonic doom from Portugal, came with a personal thank-you email from the artist), Avertat's Dead End Life (death-doom), and Sepultura's swan-song EP The Cloud of Unknowing. Peter delivers a hot take defending post-Max Sepultura and does not mince words about the Cavalera brothers.
• At the Gates — The Ghost of a Future Dead: The most affecting music note of the episode. Lead vocalist Tomas Lindberg was diagnosed with adenoid cystic carcinoma, recorded demo vocals for the entire album in one day before surgery, and ultimately died from the disease. The band completed the album using those recordings. Peter calls it a real banger and a worthy send-off.
• G.I. Joe: A Real American Hero (Issues 1–4): The main topic. Both Peter and Eden started skeptical — Peter "made a hundreds of dollars mistake" on the Kickstarter — but came around by issue three when a self-rebuilding mech shows up. Eden provides a solid comics theory digression on the widescreen movement, Silver Age overexplaining, and where 1982 G.I. Joe sits in that history. Larry Hama's background (Asian American, invented characters alongside Hasbro, writing it into his 60s) gets discussed, as does the book's period-typical racism and sexism, Snake Eyes' ambiguous deal, and Cobra's complete lack of motivation.
• Free Comic Book Day plug: Eden reminds listeners that Free Comic Book Day is the following Saturday. The Dungeon Crawler Carl zero issue will be available. Eden also shouts out G.I. Joe: Silent Missions and a single issue written by friend-of-the-shop Phil Hester.

Peter watches Mad Max: Fury Road for the first time in decades, and Eden — who has seen it at least a dozen times — watches the black-and-chrome edition alongside him. Peter finds the opening act almost too uncomfortable to watch, given its uncomfortable parallels to the current political moment, but gets fully on board the moment the sandstorm hits. They dig into what makes the film a masterpiece of practical filmmaking, why Furiosa holds up better than the prequel, and what it means that George Miller also made Babe: Pig in the City and Happy Feet.

SHOW NOTES

• Check-in / What we've been up to — Eden is riding their cargo bike in 35mph Iowa wind gusts; Peter is heading to Austin for an Intuitive Surgical robotics event. Eden vents about 18 months of accessibility compliance work being ignored by faculty who don't read their emails.
• Peter's picks — Finishing Dungeon Crawler Carl Book 6 (fun but disposable, and the online fandom's intensity baffles him); finished Season 2 of A Man on the Inside (Ted Danson and his real-life wife Mary Steenburgen falling for each other on screen — highly recommended); Taskmaster Series 21 has started, featuring Kumail Nanjiani.
• Big metal week — Peter covers a stack of new releases: Slave Machine by Nervosa (vicious all-female death-thrash from Brazil); Too Fast to Die by ArchSpire (potential album of the year if not for Neurosis); new Inferi album featuring departing drummer Spencer Moore; Descent by Immolation; and Master Boot Record's first live album Realtime Execution.
• Eden's picks — Eden is scrobbling again on Last.fm and shares a chaotic top-four week: Portishead, Rebecca Black (Salvation EP praised as a stone-cold classic), Neurosis, and new discovery Javiera Mena, a Chilean electro-pop artist. Also watched two bad movies with the bad movie crew: Firecracker (notable for a truly unhinged sex scene) and American Cyborg: Steel Warrior ("Children of Men with a $13 budget"). Currently reading a 3,500-page Chinese web novel called Long Awaited Feelings / My Feelings Can Wait.
• Why Peter struggled with the opening act — Peter found Immortan Joe's cult of worship uncomfortably familiar, given current events, describing it as George Miller predicting how "stupid and gullible people can be." He warmed to the film as it progressed, with the sandstorm sequence being the turning point.
• "A perfect action film" — Eden's framing: not their favorite action film, but possibly a perfect one — no wasted frame, no wasted scene. They've seen it at least a dozen times, and this watch was the black-and-chrome edition, which Miller originally intended before the studio overruled him.
• Practical effects deep dive — 80–90% of the stunts were practical, shot on location in Namibia under miserable conditions. They highlight the pole-cat war boys actually swinging on moving vehicles, and the real flamethrower guitarist who was instructed not to hold the guitar too high.
• On the cast — Charlize Theron gets full credit for owning the film as Furiosa. Tom Hardy's near-silent, physically understated performance is praised. Nicholas Hoult's arc as Nux — going from zealot to sacrifice — is called out as the emotional hinge of the film.
• Frame rate trivia — Eden flags that 50–60% of the film was shot below 24fps, with Miller manipulating frame rates shot-by-shot to control tension and legibility.
• Furiosa comparison — Eden recommends the prequel but notes its heavy CGI and green screen make it feel cheaper and less embodied than Fury Road. Peter says he's now interested to watch it.
• The Babe 2 revelation — The episode ends on Eden's genuine disbelief that the director of Fury Road also made Babe: Pig in the City and Happy Feet, and a fun piece of trivia: Immortan Joe's actor, Hugh Keays-Byrne, also played Toecutter, the villain of the original Mad Max.

Peter and Eden watch 1981's Escape from New York and land, predictably, on opposite sides: Eden had a blast, Peter was fighting sleep and checking the runtime. Before getting there, they spend a significant chunk of the episode on a surprise Neurosis album drop — An Undying Love for a Burning World — that apparently derailed any other listening either of them did for a week and a half. They also work through a stack of new metal releases, Eden's ongoing Continuity Comics deep dive (cliffhangers with no resolution, going all the way down), and the inevitable sidebar about Ready Player One being one of the worst things ever committed to paper.

SHOW NOTES

• Continuity Comics / Death Watch 2000 — Eden is deep into the indie comics boom-and-bust era. Death Watch 2000 (20 issues, zero through nineteen) ends on a cliffhanger because issue 20 never came out. The follow-up crossover, Rise of Magic, also ends on a cliffhanger — because the company went under. Eden is reading Ms. Mystic through all of this.
• Dungeon Crawler Carl — Peter is on book five (nearly six) of the LitRPG series. Eden remains skeptical on principle, largely due to the covers, a detailed bit about the Mantar illustration, and a Chuck Tingle tangent.
• Project Hail Mary (film) — Peter saw it in St. George during spring break and liked it. Eden knows the twist, is annoyed it was in the trailer, and delivers the hot take that the film is secretly about "exospecies gay love" — which, they argue, makes Andy Weir's claims to apolitical writing somewhat complicated.
• New metal releases rundown — Peter ran down a week where six metal albums dropped at once: Exodus's Goliath (disappointing 😞), Garea's Loss ("what if black metal Sleep Token" 🥺), Ethereal Darkness's Echoes (solid), Hanging Garden's Isle of Bliss (melancholy melodic death for the right mood), and The Holeum's Ensis (Peter's second favorite of the batch after Neurosis). New Winterfylleth also dropped.
• The Neurosis surprise drop — An Undying Love for a Burning World hit Bandcamp with zero announcement, and both hosts describe it as a fully realized return to form. Aaron Turner (of ISIS/Sumac) joins as second guitarist and vocalist, filling the Scott Kelly-shaped hole. Both Peter and Eden consider it a vital, emotionally resonant album for 2026.
• Fire in the Mountains Festival — Neurosis is playing a festival on Blackfeet Nation land in Montana this summer, organized in part by Steve Von Till, with proceeds going toward suicide prevention for First Nations teens. Peter is trying to figure out the logistics post-London trip.
• Escape from New York (1981, dir. John Carpenter) — The main event. Eden loved it unreservedly and immediately downloaded the soundtrack; Peter found it slow, confusing, and full of deus ex machina plotting. They both agree Snake Plissken essentially does nothing heroic in his own movie.
• Peter's mystery genre director — A running thread emerges: Eden is trying to figure out who Peter's equivalent of her John Carpenter is. The search is ongoing; James Cameron is a candidate. Mad Max: Fury Road is teased as the next watch-along.