In this episode, Alex and Kris are joined by film writer and critic Aaminah Saleem to discuss the biggest films coming out of this year's festival circuit. Fresh from the Cannes Film Festival, Aaminah shares her standout discoveries, the buzziest titles generating awards-season buzz, and the films cinephiles should have firmly on their radar.

The conversation then turns to Steven Spielberg's latest film, Disclosure Day, as the trio explore its themes, performances, and where it sits within the legendary director's body of work.

Aaminah, who loves to write and chat about all things film and TV on Instagram and TikTok, can be found at @aaminahthroughthescreen

Logo and music created by Alfie Hunter-Martin.

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In this episode, documentary filmmaker Annabelle Marshall discusses her journey into nonfiction storytelling, the making of her short film Fabric, and the challenges and rewards of capturing authentic human stories on screen. Annabelle shares insights into working with refugee communities, navigating the documentary process, and the importance of storytelling that humanises complex social issues.

Fabric takes audiences behind the scenes of Espero Atelier, a Paris-based social enterprise that trains refugees in haute couture tailoring and supports their pathways into employment within the fashion industry. With exclusive access to the atelier, the film follows refugee artisans as they create a unique fashion collection destined for the Musée d'Orsay on the eve of Haute Couture Week, revealing stories of resilience, craftsmanship, and opportunity along the way.

Logo and music created by Alfie Hunter-Martin.

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In this episode, Alex and Kris review Backrooms and Obsession, two of the year's most talked-about horror films, and two films that share an unusual connection: both are the work of young directors who first built their audiences on YouTube.

As the lines between online creators and traditional filmmakers continue to blur, the boys discuss what these films get right, why they're resonating with audiences, and whether 2026 could be remembered as the year creator-led horror truly arrived.

They also explore the bigger question: what lessons will Hollywood take from the success of Backrooms and Obsession, and are those lessons the right ones?

Logo and music created by Alfie Hunter-Martin.

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alex's Letterboxd⁠