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TAXI TV

TAXI TV

By: TAXI Independent A&R
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🚕 World's Leading Independent A&R Co. 🏁 Music Opportunities with: Record Labels / Music Publishing / Film & TV 🎵TAXI.com Phone: (818) 222-2464 Email: taxitv@taxi.comAll rights reserved Music
Episodes
  • Sync Licensing Mistakes Music Libraries Notice Immediately![061526]

    Sync Licensing Mistakes Music Libraries Notice Immediately![061526]
    Jun 16 2026
    Why do some talented composers consistently land sync placements while others keep getting overlooked? In this episode of TAXI TV, music library owner, composer, and longtime TAXI member Chuck Henry shares the common mistakes he sees from the library side of the sync business—mistakes that can quietly cost composers valuable placements. After decades in the industry, Chuck has reviewed thousands of submissions and worked with composers at every level. Surprisingly, many of the errors that hurt placement opportunities aren't made by beginners—they're made by experienced writers who simply don't realize what's holding them back. In this episode, you'll learn: Common sync licensing mistakes that hurt placement potential What music libraries wish composers understood Why great music alone isn't always enough Submission and production issues that raise red flags How to improve your chances of getting signed and placed What successful composers do differently Chuck also shares his inspiring journey from teaching piano lessons and performing in retail stores to becoming a successful composer and the CEO of a music library. Whether you're writing production music, composing for TV and film, or building a sync catalog, this conversation could save you years of trial and error. Join us live and learn how to avoid the mistakes that can quietly kill sync opportunities before they ever reach a music supervisor, editor, or library.
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    1 hr and 41 mins
  • How to Make Instrumental Cues More Licensable for TV & Film_.[060826]mp4

    How to Make Instrumental Cues More Licensable for TV & Film_.[060826]mp4
    Jun 9 2026
    What makes one instrumental cue instantly more licensable than another? In this episode of TAXI TV, successful TAXI member, composer, and author Dean Krippaehne shares practical, real-world tips that can dramatically improve your chances of landing sync placements in TV, film, commercials, and production music libraries. Drawing from his book Cue Tips, Dean breaks down the small but critical details that music supervisors, editors, producers, and libraries listen for every day, and why those details often determine whether a cue gets licensed or passed over. This episode covers: How to make instrumental cues more sync-friendly Common mistakes that hurt licensing potential What production music libraries actually want Arrangement and structure tips for TV & film music Practical cue-writing advice you can apply immediately How experienced sync composers think differently Whether you're brand new to sync licensing or already building a catalog, this conversation is packed with actionable insight for composers, producers, and instrumental writers looking to create more usable, marketable music. If you write production music, trailer music, underscore, cinematic cues, or instrumental tracks for sync, this episode is a must-watch. Reference Book 📚: Cue Tips: 50 songwriting, composing, and music production hacks to speed up your sync journey by Dean Krippaehne: https://amzn.to/4nD3uYP
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    1 hr and 47 mins
  • Commercials vs Film & TV_ The REAL Secret to Higher-Paying Sync Placements![060126]

    Commercials vs Film & TV_ The REAL Secret to Higher-Paying Sync Placements![060126]
    Jun 2 2026
    Why do some music placements in commercials pay significantly more than TV and film, and how do you actually get them? On this episode of TAXI TV, we sit down with successful sync writer and producer John Pearson to break down exactly what changes when you shift from writing for film & TV to writing for advertising. John’s music has landed worldwide advertising placements with major brands like Chase Card, Hyundai, Samsung, Nissan, FedEx, Target, and Cricket Wireless, but his path wasn’t instant. We’ll explore: - Why commercials often outperform TV/film placements in payouts - What libraries and music supervisors are actually looking for in ad music - How John transitioned from Nashville touring musician to full-time sync writer - The real “secret sauce” behind landing premium advertising placements - How persistence and strategy change everything in the sync world From placements in shows like Outer Banks, S.W.A.T., The Rookie, and more, then breaking into major global ad campaigns, John’s journey is packed with actionable insight for any composer, producer, or songwriter looking to break into sync licensing. If you're serious about getting higher-level placements and understanding how the industry really works, this episode is essential viewing.
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    1 hr and 36 mins
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