Nev Schulman is a filmmaker, photographer, producer, and the creator and host of Catfish. What began as a deeply personal documentary about an online relationship gone wrong grew into a cultural phenomenon, helping introduce millions of people to the realities of online identity, deception, and connection in the digital age.

In this episode, he talks to Matthew about the unlikely origins of the original Catfish documentary, why audiences initially struggled to believe it was real, and how that experience eventually became one of MTV's most successful reality series. He also reflects on the challenge of building a show around real people's lives, learning to trust his instincts on camera, and what it means to have his identity become inseparable from the work he's best known for.

“There are not a lot of things that I've done in my life that I really felt, in that moment, as I was doing them, like, ‘This is exactly right for me."

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com

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David Owen is a longtime staff writer at The New Yorker and the author of numerous books about technology, infrastructure, and the hidden systems that shape everyday life. In Where the Water Goes, he follows the Colorado River from its headwaters in the Rocky Mountains to its overburdened terminus, using the river's journey to explore how water, politics, engineering, and geography have shaped the modern American West.

In this episode, he talks to Matthew about the New Yorker article that inspired the book, the challenge of turning water law and infrastructure into narrative, and why following the river gave him the perfect structure for telling a much larger story. Along the way, he reflects on the value of curiosity, the art of explaining complicated subjects, and the practical realities of making a living as a freelance writer.

“The freelancer's rule is: use every part of the buffalo,” he says. “Write a story, and if there are leftovers, you try to turn that into a story.”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com.

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Josh Dean is a journalist and the author of The Impossible Factory, a sweeping history of Kelly Johnson, Lockheed’s legendary Skunk Works division, and the engineers who reshaped aviation during the Cold War. Before The Impossible Factory, Dean wrote The Taking of K-129 and co-founded Campside Media.

In this episode, he talks to Matthew about the origins of the Skunk Works, why Kelly Johnson’s philosophy of small teams and minimal bureaucracy still shapes Silicon Valley today, and the challenge of turning deeply technical research into compelling narrative. He also reflects on the realities of historical reporting, organizing massive archives, living inside years of research, and why writing a book often becomes an all-consuming process.

“The most time-intensive part of writing a book is the reporting,” he says. “The writing part you can do at night. You can do on weekends. You can squeeze it around the edges.”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com

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Ben Bradford is a journalist and the creator of Are We Doomed?, a narrative podcast that explores existential threats through the lens of systems, history, science, and human decision-making. Before launching Are We Doomed?, Bradford worked as a reporter at Marketplace and produced narrative podcasts including Landslide and Of the People.

In this episode, he talks to Matthew about the changing economics of podcasting, why heavily produced narrative limited series have become harder to sustain, and how those realities shaped the creation of Are We Doomed?. Along the way, he reflects on the practical realities of independent journalism, his approach to structuring episodes around narrative tension, and the challenge of balancing ambition, sustainability, and time when making narrative audio.

“The story is never done,” he says. “You just run out of time.”

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We’re excited to share a preview of a new podcast we think you’d enjoy: No Such Thing

No Such Thing is a show where three best friends and journalists settle their dumb arguments — and yours — by actually doing the research. Hosts Manny Fidel, Noah Friedman, and Devan Joseph start each episode with an argument using just their gut feelings. Then they go out into the world, investigate, talk to experts, and conduct some experiments. Finally, the guys bring their findings back to the group to see if they can change minds, enlighten each other, and move past their emotional truths.

Find No Such Thing on Apple, Spotify, or wherever you get podcasts. New episodes out Wednesdays

Listen here: No Such Thing

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Helena de Groot is a writer, audio producer, and the host of Creation Myth, a deeply personal podcast about love, uncertainty, and the terrifying difficulty of knowing what kind of life you actually want. Before Creation Myth, she worked on The Paris Review Podcast and hosted Poetry Off the Shelf.

In this episode, she talks to Matthew about the breakup that set Creation Myth in motion, and the deeper question at the center of the series: why she has never wanted children, and whether that feeling might one day change. She describes how the project evolved once editors pushed her to focus more deeply on her own story, the challenge of turning unresolved parts of her life into narrative, and the collaborative process that helped shape the final show.

“I needed the answer,” she says. “I just thought for myself, there must be some kind of lack inside me. Can I get to the bottom of it?”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jordan Ritter Conn is a journalist, a senior staff writer at The Ringer, and the author of American Men, a reported book that follows four men over the course of several years as they grapple, in different ways, with the same question: what does it mean to be a man in America today.

In this episode, he talks to Matthew about how American Men came together, from reaching out to dozens of potential subjects to narrowing in on the four men at the center of the book. He describes the level of access required to tell stories that are both deeply personal and broadly representative, the challenge of getting people to open up over long periods of time, and the process of shaping a large body of material into something cohesive. He also reflects on how his approach to writing has evolved, and what it means to better understand what he’s actually good at.

“I do think with any kind of talent there’s a ceiling. I know that I have a ceiling on my talent,"" he says. ""But I do think I’m getting a little bit better at maximizing that.”

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Christian Jacobs and Scott Schultz are the creators of Yo Gabba Gabba, the cult-favorite children’s show that first premiered in 2007 and went on to redefine what kids television could look and sound like. Blending music, art, and a DIY sensibility, the show drew in not just children, but parents, musicians, and artists who saw something new in what Jacobs and Schultz had made. Now, nearly two decades later, the show has been revived with Yo Gabba GabbaLand! on Apple TV+, bringing a new generation into that world.

In this episode, they talk to Matthew about how a creative partnership that started with skate videos and homemade projects eventually led to Yo Gabba Gabba. They describe the early days of experimenting with cameras and editing, the transition into music and performance, and how their experience as new parents reshaped the kind of work they wanted to make. They also reflect on the scrappy process of building the show from the ground up and what it took to get people to see their vision.

“We shot a little demo of it. It’s super low budget. You had to have a really deep imagination to go like, I get it,” Jacobs says. Schultz adds: “No one was more surprised than us that it went to Nickelodeon. That was never the intention.”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation, or just want to say hi? Email us at Originstories@campsidemedia.com

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