This week we dive into Hokum (2026), the latest eerie offering from Damian McCarthy (Caveat, Oddity). Known for crafting slow-burn nightmares built on atmosphere and unease, McCarthy returns with a story steeped in tension, guilt, and creeping dread.

We talk about McCarthy’s signature style—minimalist storytelling, suffocating tension, and the kind of scares that sneak up on you long after the lights go out.

If you’re into slow-burn terror and folk horror this is one worth checking out.

Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas

Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Spoiler Free: 0:00-22:10

Spoilers: 22:10-END

This week we’re diving into Over Your Dead Body (2026), the darkly funny, ultra-violent horror-comedy starring Jason Segel and Samara Weaving as a married couple heading to a remote cabin—each secretly planning to kill the other. Directed by Jorma Taccone, this bloody remake of the Norwegian thriller The Trip turns relationship drama into full-blown carnage.

We break down the film’s mix of savage gore, dark comedy, and chaotic energy, along with the chemistry between Segel and Weaving that helps sell the madness. From brutal practical effects to absurd twists and sharp one-liners, Over Your Dead Body leans hard into its over-the-top premise and mostly embraces the fun of it. Critics have praised its wild violence and crowd-pleasing chaos, even if some felt the second half loses a bit of the tight tension set up in the opening.

Is it a clever relationship thriller disguised as a splatterfest, or just a gloriously messy excuse for people to scream and lose fingers? Either way, it’s a blast worth talking about.

Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas

Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We sit down with Taratoa Stappard to talk about his new film Mārama.

We were able to see the film early at the Overlook film festival!

The film is described as Maori Gothic horror and follows orphan, Mary Stevens after she recieves a letter from a mysterious stranger claiming to have information about her parents.

Be on the lookout for its upcoming release.