Free Thinking Through the Fourth Turning with Sasha Stone cover art

Free Thinking Through the Fourth Turning with Sasha Stone

Free Thinking Through the Fourth Turning with Sasha Stone

By: Sasha Stone
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Essays on politics and culture from Sasha Stone's Substack. A former Democrat and Leftist who escaped the bubble to get to know the other side of the country and to take a more critical look at the left. Sashastone.substack.com

www.sashastone.comSasha Stone Art
Episodes
  • Obama's Museum: An Ivory Tower Made of Granite

    Obama's Museum: An Ivory Tower Made of Granite
    Jun 20 2026
    The emergence of America’s ruling class in Chicago to celebrate the Obama Presidential Center Museum hit like a gust of hot, wet wind. Just days before, tornadoes tore through Illinois and Iowa, upending homes and wreaking havoc on the landscape. By the time Barack Obama and his Royal Court were ready to roll out the red carpet, the skies had cleared.The building perfectly reflects how Obama might see himself, but certainly how he’s ruled over the past 15 years. He still can’t let go of his position as God and King of the once-mighty utopia, one I devoted most of my life to building, protecting, and defending. I was a true believer and a good soldier.Obtuse, mysterious, and opaque, the building, like its inspiration, towers over the indistinguishable figures below, the swirling paths and gardens, not blending into the landscape but rather projecting outward, with a kind of bulk you could even see from space. Not even a tornado could make a dent.The quote on the side of the mighty beast reads:You are America. Unconstrained by habit and convention. Unencumbered by what is, ready to seize what ought to be. For everywhere in this country, there are first steps to be taken, there is new ground to cover, there are more bridges to be crossed. America is not the project of any one person. The single most powerful word in our democracy is the word ‘We.’ ‘We The People.’ ‘We Shall Overcome.’ ‘Yes We Can.’ That word is owned by no one. It belongs to everyone. Oh, what a glorious task we are given to continually try to improve this great nation of ours.”The quote comes from Obama’s speech, not in Chicago, but at the Edmund Pettus Bridge in Selma, Alabama. Most of the rest of it has been trimmed away to make the statement appear more inclusive, shall we say.But note the use of the word “We.” His speech was full of flowery language about how we have to come together as a country.The sitting president of the United States and the majority of Americans who voted for him were not invited to the party. Not only weren’t they invited, but they’re also not allowed anywhere at any time in a society largely controlled by the Left.No, Trump would not be allowed in, and he never really was, which goes a long way toward explaining why he won the second time. Trump feels like one of us, who have taken the shape of Obama’s sworn enemies. We are rejected outsiders because this America, their America, depends on and is built around race and gender identity.Both Barack and Michelle Obama made a point of elevating the illegal immigrants who crossed over under Joe Biden and celebrated the citizen army that went to war on Federal officers, even after condemning such actions on January 6th.They prioritize the illegal immigrants because they are mostly non-white and thus have special protective status, as long as they vote blue no matter who, of course. And yet, for most Americans, they still don’t understand why they’ve been sidelined like this. Once you understand the rules of utopia, where an endless supply of oppressed people, along with an endless supply of racists, is what powers their engine.It’s an ideology that comes from Western countries overtaken by global elites, who need this form of virtue signaling to justify their power and their worldwide alliance, but it doesn’t do much for ordinary Americans, who don’t have the luxury of putting themselves last.It is a kind of class system that pretends to be about equality, about inclusion, and diversity, but really, it’s a way of categorizing us and deciding our worth. If you can participate in this game, you can go far. But if you don’t, out you go.Nate Bargatze dared to show up alongside RFK, Jr., and his wife, Cheryl. The internet found out about it, and things got so bad his publicist had to issue a statement that he wasn’t a Trump supporter. What kind of America is this? If they want to talk about unity, they have to call off their attack dogs.It didn’t used to be this way. Those of us who have been alive a long time remember when what mattered was the majority of Americans, the free market, democracy, and all that. Box office, ratings, and elections all decided the direction of our country and our culture. Not anymore.They want our country to look a lot like Obama’s kingdom, epitomized by his Brutalist monument - he’s way up there, and we’re all way down here. If you worship that way, we’ll all get along fine, they say, but don’t you dare vote in a way we don’t like, or we will go to war.So is that the plan from here on out? Must all elections be sanctioned and approved by the Democrats, or else?From Utopia to DystopiaObama was not born in Chicago, but his monument will reside there as a showcase of his preferred legacy. He’s the Chicago guy, not the Hawaii guy.The fortress will be a place for travelers driving across this country to stop and admire, along with other historic landmarks in Illinois, like the ...
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    39 mins
  • Jane Fonda's Women's Media Center Fired Me Because I Voted for Trump

    Jane Fonda's Women's Media Center Fired Me Because I Voted for Trump
    Jun 16 2026
    Jane Fonda, like so many on the Left, is the worst kind of hypocrite. She plays the part of a free speech warrior while participating in the most totalitarian movement this country has ever seen.There she was, yet again, yapping into a microphone to protest Trump’s UFC 250. The signs behind her are ablaze with pure lies - Civil Rights! The First Amendment! You can’t silence us! But Jane Fonda and the company she founded, Women’s Media Center, do not practice what they preach. They fired me for the crime of voting for Donald Trump. I had been regularly hired for almost ten years to write their Women in Oscars report until a story broke in the Hollywood Reporter calling me a “MAGA darling.” And just like that, my 25-year career as a “woman-owned” Oscar website went up in flames, as did my freelance gig for WMC.It’s true, I did vote for Donald Trump. Not only did I vote for him, but I also made my support for him known on social media, which is what caught the reporter’s attention in the first place. I was supposed to cower in fear. Support the Democrats or else. I could have done what a lot of people did and kept my vote for Trump secret, but I didn’t think I should have to. Weren’t we the side that stood up for free speech and free expression?No. We weren’t then, and aren’t now. There is a long trail of writers, thinkers, actors, artists, musicians, and ordinary citizens who have been destroyed by the Left’s machine for the crime of dissent. And thousands more who suffer in silence, knowing there are so many things they can’t say.Only one side regularly censored users on social media, and that was the Biden administration working with the FBI. Only one side used the FBI and the CIA to censor the Hunter Biden laptop to thwart the re-election of the sitting president. That wasn’t the Right.Because Jimmy Kimmel got a slap on the wrist and Trump sued CBS News, and there’s a merger with Paramount and Warner Bros., to people like Jane Fonda, that means the First Amendment is under threat. My message to her: clean your own house, Jane. Jane Fonda obviously wasn’t directly involved in firing me. She has no idea who I even am. It was someone else, someone I trusted, maybe someone who seemed like a decent person, but, like everyone else, from writers to publicists to friends, once I crossed that bright red line, I was no longer someone they would associate with at parties, let alone hire.It certainly wasn’t because I did not do good work. I did. I even asked Grok to fact-check my memory, and here is what came back:Nobody knows the Oscars like I do, and I did the best work for them on the cheap because I liked doing it. I tried to make my case as clearly as possible to the Hollywood Reporter that I could not go along with the unprecedented lawfare against Trump, and especially not “gender affirming care” on minor children. These things motivated me to do more than just vote. I had to go public. I thought my support would help others come out from the shadows. I knew as I was talking to that reporter that nothing I said would make a difference. I wouldn’t have even talked to her except she said she’d write the story anyway. She was reporting on what I thought and what I was tweeting, which was verboten inside utopia. And boy, did the hammer come down.After the story broke and I felt every door that had once been open to me slam in my face, I kept hearing yet another piece of bad news. The studios were pulling their ads. Yet another writer was leaving the site. I was not invited to screenings, parties, and premieres. The publicists all ghosted me. It was as though I had been arrested for committing mass murder.One of the last of the gut punches was losing that freelance gig at Women’s Media Center. I kind of knew it was coming because, of course, it would be. They all went along with it, and almost no one had the courage to push back or resist any of it. I wrote to them anyway because I wanted to hear it from them. And I got the expected answer.Jane Fonda founded the Women’s Media Center in 2005, along with Robin Morgan and Gloria Steinem. They describe themselves as “a progressive, nonpartisan nonprofit focused on increasing the visibility, influence, and decision-making power of women and girls in media.”They were perfectly happy to drop a woman writer for the sole crime of not agreeing with their politics. I’d say they don’t really support women in media so much as they support those who go along with them.I never played the woman card, but I could have. I built my site just to build it, and it became successful. I was a single mom in 1999 and raised my baby and my website at the same time. It is quite the story, especially for those who pretend to care about women in media. Why would it matter if I voted for Trump? Why would that mean I could no longer write the report? Why have they decided that all of this is okay, to treat half the country like toxic ...
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    28 mins
  • 60 Minutes and the Collapse of the Empire

    60 Minutes and the Collapse of the Empire
    Jun 7 2026
    Charles Manson famously said, “You can’t kill me. I’m already dead.” I thought about that quote as the 60 Minutes scandal erupted, with a conversation between reporter Scott Pelley and newly hired producer Nick Bilton. From the NYT:“She is murdering ‘60 Minutes,’” [Scott Pelley] said. “She does not love this place. She was brought in to kill it, and she’s been doing exactly that.”Mr. Pelley added: “She has no qualifications for her job; you have slender qualifications for this job. The changes that she’s made at the ‘Evening News’ have been catastrophic, so why should we expect that any of this is going to be any better?”Mr. Bilton responded: “Well, I will show you. That’s what I have to say. That is my plan over the next two weeks. I’ll be meeting with everyone. I’m very excited to meet with everyone, yourself included.”Needless to say, it didn’t exactly go as planned. Several sanctimonious “don’t you know who I am” statements later, Pelley was out. 60 Minutes isn’t quite dead, but it is a relic of the past. In the 1990s, it was pulling in 20-30 million viewers. That dropped to 14-16 million in the 2000s. By the 2010s, it was down to 10-12 million. Now, just 9 million people tune in every week in a country of 340 million. Much of that is due to the changes in technology, but still. There is no doubt that 60 Minutes, like all of legacy media, is trapped inside the same bubble that thinks Jimmy Kimmel’s nightly monologue is still relevant, believes the Oscars still represent the majority of moviegoers, and that the New York Times has its finger on the pulse of everyday America. Like so much of what we might call “resistance era culture,” there doesn’t seem to be a place for 60 Minutes in our culture now, beyond being a propaganda tool for the Democrats, which explains why so many of them feel a profound sense of loss now that Bari Weiss was brought in to give them a refresh. Pelley’s statement to call out the new management at 60 Minutes was the hissy fit heard round the world. The irony is that his statement is itself bad journalism. He throws around serious allegations without offering any concrete examples:Pelley has since talked to the New York Times to explain what he means by some of this, but even still, these are all examples of his own bias, one he can’t see and refuses to admit even exists. Instead, he insists that 60 Minutes is now showing bias simply by representing the other point of view.In the interview, he explains how Bari Weiss wanted him to portray the other side of the story in the killing of Alex Pretti and Renee Good. He says he did not think she drove her car into the officer or that Pretti was in any way violent. While that doesn’t mean they should have lost their lives, there is no question that they were at war with federal officers in a way we’ve never seen since the last Civil War. His bias was front and center at a speech in 2025, where his mass delusions about what this country has become were laid bare. This guy was willing to give Bari Weiss a chance, come on.Already a legend in his own mind, Pelley is writing his own legacy now as a self-made hero who stood up to the fascist regime.Here is Michael Moynihan: A Woketopia, if You Can Keep ItSome say 60 Minutes never recovered from its biggest scandal, when CBS Corporate forced the show to censor an interview with Big Tobacco whistleblower Jeffrey Wigand, as depicted in Michael Mann’s brilliant film The Insider. The Hollywood of today would never make a movie like that unless it somehow blamed Trump and the Republicans. Not only wouldn’t they make it, but they couldn’t make it, no one inside the empire would allow it because, contrary to their own mass delusions, the fascism was always coming from inside the house — all sticks of wood bound together as one, where no dissent is allowed.I look around now, and I see relics of the old empire. They’re frantic and wild-eyed. They’re terrified that it all came crashing down. They don’t know why America turned away. But I do. We never set out to build an empire. For us, it was riding the wave of new technology, new social media, a new computer in our pockets, and a brand new president to bring us into the promised land.It was not Donald Trump's fault that our empire collapsed. It was the old cliche about how power corrupts. We acquired too much of it. Every company, institution, celebrity, movie studio, publishing house, and ordinary person has a social media platform. If you controlled social media, you could control them. Our public humiliation factory kept everyone in line, lest they be “it” on social media.That was true even before Trump won, but the tweak to the algorithm in 2017, Donald Trump becoming president and ruling over Twitter at the same time, sent those of us inside the empire into waves of uncontrollable mass hysteria. Many of them would never come out of it and are still locked in...
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    31 mins
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