In Caro Claire Burke’s debut novel, Yesteryear, a modern day tradwife influencer shares her picturesque farm life with 8 million followers … until one day, she wakes up in the 1800s and has to do it all for real. No running water, no electricity and no way out. But is she really in the past? How far will she go to get back to her perfect life? And how perfect was that life, really? Yesteryear is a twisty, compelling look at what the tradwife trend tells us about fame, tradition and womanhood. This week, Caro joins Mattea Roach to talk about her surprising tradwife protagonist, performing femininity and the Anne Hathaway film adaptation in the works.

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Ben Lerner’s new novel is all about how technology shapes memory and connection … and it kicks off when a guy breaks his phone. In Transcription, a man is conducting one final interview with his 90-year-old mentor and celebrated academic, Thomas. When the narrator accidentally breaks his phone before the interview, he can’t bring himself to admit it to Thomas. He does the interview anyway, pretending that he’s recording. Ben uses this premise to explore how technology can both store and destroy memory, and how the changing role of devices is altering our relationships with one another. This week, Ben joins Mattea Roach to talk about interrogating art and fatherhood, staying human in a world of devices and if technology can really capture true connection.

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• 1 marriage, 2 mid-life crises … and a guy named Gluten
• Nnedi Okorafor: Bringing a writer to life in Death of the Author

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Even if you’re living in a dystopia, life goes on. Carrianne Leung’s new novel, Wonderland Road, is about making it work and finding hope in a collapsing society. In a world where basic structures of society fall apart and a mega-corporation rules all, the people of a small suburban community must figure out how to move forward — even when they don’t quite know where “forward” leads. Much like Carrianne’s other work, Wonderland Road explores the tensions that live within families and communities, and though it takes place in the future, familiar divisions of power, class, race and gender are hiding in plain sight. This week, Carrianne tells Mattea Roach about finding hope in a dystopia, her love for Scarborough and why the original protagonist of the book was a raccoon.

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• Writing about catastrophe gives Madeleine Thien courage
• How long could you lie about who you are?

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