A Deadly Episode
The gripping NEW murder mystery from the Sunday Times bestselling author of Close to Death
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Narrated by:
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Rory Kinnear
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By:
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Anthony Horowitz
Brought to you by Penguin.
From the global bestselling author of Moonflower Murders and Close to Death comes an unputdownable new mystery in the Hawthorne and Horowitz series.
The Word is Murder, the first book in the Hawthorne series, is about to be made into a major feature film.
The actors have been cast, the script written, and filming has already started in Hastings.
But when Hawthorne and Anthony visit the set, they find a far from happy family.
The director’s pretentious, the screenwriter’s an eco-warrior, the two stars hate each other, and the producer has run out of money.
And things are about to get much, much worse.
In the middle of shooting, the actor playing Hawthorne is stabbed – which leaves the real Hawthorne with no choice. He has to step in and investigate his own murder.
Because the killer may not have got the right man. Was it Hawthorne himself who was meant to be the target?
A Deadly Episode is a wild ride through a world that the author knows only too well, and the most personal case Hawthorne has had to deal with so far.
‘Easily the greatest of our crime writers’ Sunday Times
'Nobody does this crime fiction better than Anthony Horowitz’ Crime Time FM
'Anthony Horowitz is a national treasure' Ragnar Jónasson
© Anthony Horowitz 2026 (P) Penguin Audio 2026
Critic reviews
Rory Kinear’s Brilliance (sorry Anthony😂)
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Weakest Hawthorne so far
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Great but a bit short
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This book was probably my least favourite of the series so far, but in an overall exceptional series, that doesn’t mean it’s bad.
It just felt a bit over-complex. The usual Hawthorne/Horowitz dynamic and layers are all there, but this time the first Hawthorne book is being made into a film inside the story as well.
At times, it felt like being inside the Hawthorne universe, inside the Hawthorne universe, inside the Hawthorne universe. For me, it didn’t flow or keep its momentum quite as well as the previous instalments, and sometimes I was a bit like, “Wait, what’s this now?”
The payoff of the solve didn’t feel as satisfying for me either. We meet a lot of characters, and some are introduced so late in the story that I didn’t get very invested in them. I can see why we needed to meet some of these people to learn more about Hawthorne and his past, but it made this one feel a bit more crowded.
Still very enjoyable, and I’ll absolutely be putting the next book on pre-order. This one just felt more like it was opening up the avenues we will go down in future stories, like a bridge to another instalment rather than my new favourite.
Not my favourite Hawthorne, but still hooked 🪝
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Shades of Boomerism
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