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A Deadly Episode

The gripping NEW murder mystery from the Sunday Times bestselling author of Close to Death

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A Deadly Episode

By: Anthony Horowitz
Narrated by: Rory Kinnear
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Brought to you by Penguin.

From the global bestselling author of Moonflower Murders and Close to Death comes an unputdownable new mystery in the Hawthorne and Horowitz series.

The Word is Murder, the first book in the Hawthorne series, is about to be made into a major feature film.

The actors have been cast, the script written, and filming has already started in Hastings.

But when Hawthorne and Anthony visit the set, they find a far from happy family.

The director’s pretentious, the screenwriter’s an eco-warrior, the two stars hate each other, and the producer has run out of money.

And things are about to get much, much worse.

In the middle of shooting, the actor playing Hawthorne is stabbed – which leaves the real Hawthorne with no choice. He has to step in and investigate his own murder.

Because the killer may not have got the right man. Was it Hawthorne himself who was meant to be the target?

A Deadly Episode is a wild ride through a world that the author knows only too well, and the most personal case Hawthorne has had to deal with so far.

‘Easily the greatest of our crime writersSunday Times
'Nobody does this crime fiction better than Anthony HorowitzCrime Time FM
'Anthony Horowitz is a national treasure' Ragnar Jónasson

© Anthony Horowitz 2026 (P) Penguin Audio 2026

Crime Crime Thrillers Mystery Private Investigators Suspense Thriller & Suspense Celebrity Murder Funny
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Critic reviews

The sixth outing for the sleuthing duo of Horowitz and Hawthorne, A Deadly Episode, is another winner.
A meta romp
Brilliant . . . the author combines delicious dry humour with a rigorous fair-play whodunnit, but this installment’s Scream-like Hollywood satire takes it to another level
Delightful
Clever and playful, this is meta-mystery at its best.
[Horowitz’s] "Overactive imagination” has once again produced a chunk of five-star entertainment
The sixth in the brilliant Hawthrone and Horowitz series... (is) layers of fun.
Horowitz is quite simply a brilliant writer - he's funny, smart and knows how to craft a good story.... Be warned. Horowitz is addictive
I take such pleasure from this series and this, the sixth, is every bit as good as its predecessors... dare I say, my favourite.
A fresh treat
All stars
Most relevant
Rory Kinear’s audio performance utterly brilliant… I just wonder what Anthony Horowitz must think… he must be pleased as he wrote the character nevertheless, Rory has made “him” believable and fun

Rory Kinear’s Brilliance (sorry Anthony😂)

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Struggled with this one as didn’t have the same format as previous books in the series. Wasn’t interested in the film, the flashback was hard to follow, and conclusion a bit meh

Weakest Hawthorne so far

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Look forward to these books being released so much that it felt like it was over too quickly! A good story but perhaps wrapped up a bit swiftly. Narration a highlight as always.

Great but a bit short

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I’ve loved the Hawthorne series so far. I’m not very good at getting into fiction, but this series is brilliant. The whole setup — Horowitz writing himself into the story, and Hawthorne’s past cases turning out not to be as neatly historical as they first seem — is clever and really keeps you hooked. Rory Kinnear as narrator is fantastic as always.

This book was probably my least favourite of the series so far, but in an overall exceptional series, that doesn’t mean it’s bad.

It just felt a bit over-complex. The usual Hawthorne/Horowitz dynamic and layers are all there, but this time the first Hawthorne book is being made into a film inside the story as well.

At times, it felt like being inside the Hawthorne universe, inside the Hawthorne universe, inside the Hawthorne universe. For me, it didn’t flow or keep its momentum quite as well as the previous instalments, and sometimes I was a bit like, “Wait, what’s this now?”

The payoff of the solve didn’t feel as satisfying for me either. We meet a lot of characters, and some are introduced so late in the story that I didn’t get very invested in them. I can see why we needed to meet some of these people to learn more about Hawthorne and his past, but it made this one feel a bit more crowded.

Still very enjoyable, and I’ll absolutely be putting the next book on pre-order. This one just felt more like it was opening up the avenues we will go down in future stories, like a bridge to another instalment rather than my new favourite.

Not my favourite Hawthorne, but still hooked 🪝

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Another very enjoyable mystery with a very satisfying “oh duh” moment when everything clicks into place! But sorry - young female “woke” screenwriter who can’t help shoe-horning her politics into her (naturally, terrible) writing is hack work from Horowitz. Feels hopelessly out of touch. Rory Kinnear is great though.

Shades of Boomerism

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